Though this novel is nearly 90 years old, its sharp focus and uncompromising storytelling leave it feeling hauntingly...
In this newly translated 1929 novel, a small community in Provence is forced to contend with internal strife and environmental catastrophes.
From its opening page, Giono’s short, powerful novel reveals the conflicts that run through it. The prose (and Eprile’s translation) is immediately terse and descriptive, setting the scene: a group of four homes, known as “the White Houses,” and the nearby fountain that provides them with water. Giono’s focus soon turns to a series of animals, their threat escalating until the appearance of a wild boar, which has itself been the target of a hunter’s unsuccessful gunfire. Here, the environment and the small group of humans dwelling within it coexist in uneasy balance—until, one day, they don’t. A series of catastrophes befalls the houses’ inhabitants. Janet, the aging father-in-law of Gondran (the de facto protagonist), falls ill early on, beginning with an episode in which he tells Gondran, “I have snakes in my fingers.” His strange, ecstatic meditations on the world continue throughout the rest of the novel, contrasting with the stark prose that surrounds them. Soon, larger threats rear their heads: the fountain dries up, and a blaze puts the villagers’ homes and their lives at risk. The elemental theme is conscious: from the first page, references to air, fire, water, and earth punctuate the novel. The end result is a harrowing work of fiction in which the potential for violence is decidedly real and clashes between men pale in the face of the natural world’s potential for devastation.
Though this novel is nearly 90 years old, its sharp focus and uncompromising storytelling leave it feeling hauntingly timeless—a story of primal conflicts erupting into seemingly pastoral landscapes.Pub Date: April 5, 2016
ISBN: 978-1-59017-918-5
Page Count: 160
Publisher: New York Review Books
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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