If you hopped along with Watership Down or whooped it up with Hanta Yo, you might just go for this startling novelty item which, like a statuette of Venus de Milo with a clock in her stomach, unites the informative with a livelier art: anthropological speculations about the Ice Age illustrated by the odyssey of a remarkably sophisticated Clan of Neanderthals and their Cro-Magnon foundling, Ayla. Adopted as a child by the beetle-browed Clan of the Cave Bear after her people perish in an earthquake, Ayla looks different and is different: the frontal lobes of her brain are more developed than those of the back-brained Clan. (The Clansfolk do, however, have extraordinary memories which reach back to their own evolution.) Still, odd little Ayla is mothered by medicine woman Iza; she reveres her father-figure and mentor, Magician (Mog-ur) Creb, whose brain is the best of the Clan, mystical-memory-wise; and it is Creb who shockingly proclaims that Ayla (who has been clawed by a lion) belongs to the most powerful male totem, the Cave Lion, and is not meant to be docile and subservient. Indeed, with her "forward-thinking frontal lobes," Ayla teaches herself to hunt (forbidden to women), revealing her secret when she saves a child from a beast. And at last she is accepted as the Woman Who Hunts after surviving a "Death-Curse" (a month alone). But when abusive, angry Broud impregnates Ayla, she bears a mixed-breed child and later must leave child and Clan when Broud becomes leader. . . though the Clan is doomed and the emergence of a new human being is on its way. True, Auel's Neanderthals often have some awfully peculiar notions cooking on those back brains of theirs. And anachronisms run wild through the wilderness ("You call yourself a hunter," says the Clan leader, "You expect to control a clan when you can't even control yourself?"). But it's all written with nerveless esprite admirable scenery, swell sex, convincing artifacts and survival modese and, when clubbed on by heavy publisher advertising, this first novel (first of six in a projected early-man series) may well prove curiously primitive enough to catch on in a big way.
Pub Date: Sept. 1, 1980
ISBN: 0553381679
Page Count: -
Publisher: Crown
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Sept. 1, 1980
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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