by Jean Reidy ; illustrated by Leo Timmers ‧ RELEASE DATE: March 5, 2013
Neatly encapsulates the three-ring circus that is a little tyke’s world and gives children an opportunity to practice all...
Richard Scarry has some competition in this effort, which follows a toddler-age bunny and his mother around town on their errands.
Filled with verbs that end in –ing, the rhythmic verses form a nice cadence and challenge readers to spot the characters that are performing each action. “Pancakes flipping. / Cutting, clipping. / Tossing, fetching, / bending, stretching. // Brushing, shaving. / Good-bye waving— / my town in the morn.” The bunny, usually in his pram, and his mother are easy to spot on each page as they watch the kids in the schoolyard, stare pop-eyed at the rescue vehicles converging to put out a burning sausage, mail a letter, visit a hospital patient, read a book outside the library and take the bus, among other things. Once they get home, in a scene reminiscent of Kevin Lewis and Daniel Kirk’s Chugga-Chugga Choo-Choo (1999), the living room floor displays a very familiar scene. The acrylic illustrations are bright and busy, full of details to spot, animals to identify and things to find and count. Similar animal characters to Timmers’ Who is Driving? (2007) populate this outing, their huge eyes dominating their giant heads, while tiny legs protrude from below stylish outfits, all adding to their charming appeal.
Neatly encapsulates the three-ring circus that is a little tyke’s world and gives children an opportunity to practice all kinds of skills. (Picture book. 1-5)Pub Date: March 5, 2013
ISBN: 978-1-59990-785-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
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by Kobi Yamada ; illustrated by Gabriella Barouch ‧ RELEASE DATE: Sept. 15, 2019
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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