An overly domesticated marriage-gone-bad story.
A woman discovers her husband is having an affair with her old college roommate. Can this marriage—kids, depression, and all—be saved?
In college, Jane was the timid, unassertive type while Bonnie was the sarcastic extrovert with an affinity for bad-news men. An opposites-attract dynamic made them fast friends—they bonded immediately after Jane’s dispiriting loss of her virginity at a frat party. In adulthood, though, things are complicated. Bonnie uses her quick wit as a crisis intervention counselor for the Chicago Police, but her best romantic prospect is a bartender with a coke habit. Jane is married to a doctor, Eric, and has a son and another baby on the way, but she’s going off the rails emotionally, experiencing rapturous mental breaks (“oh lovely pure nothing”) that may be epilepsy or, she thinks, a curious capacity for premonition. Either way, Jane’s baffling suicide attempt pushes Eric and Bonnie into each other’s arms and prompts Jane to wonder if such an arrangement might actually be good for the marriage. Thompson (The Witch, 2014, etc.) works to elevate this story beyond its familiar infidelity-in-the-burbs setup by avoiding pat moral judgments; she’s more concerned with the dynamics that prompt affairs than thundering about consequences. And both Jane and Bonnie are well-crafted characters, reflecting Thompson’s consistent knack for capturing the emotional seas within seemingly conventional middle-class Midwesterners. (She’s also excellent at depicting children, so often an afterthought in such novels.) But Thompson seems at a loss to figure out what to do with the characters after Jane’s breakdown; Jane makes an unpersuasive and contrived romantic decision as Thompson abandons the more mystical element of Jane’s mindset and her odd musings “about the death of the self and the all-encompassing spirit.” Good for her, but less good for a novel that slackens into familiarity.
An overly domesticated marriage-gone-bad story.Pub Date: May 31, 2016
ISBN: 978-0-399-57381-1
Page Count: 432
Publisher: Blue Rider Press
Review Posted Online: March 5, 2016
Kirkus Reviews Issue: March 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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