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NOTHING HERE BUT TREES

Name: NOTHING HERE BUT TREES
Author: Jean Van Leeuwen
ISBN: 0-8037-2178-1

by Jean Van Leeuwen & illustrated by Phil Boatwright ‧ RELEASE DATE: Sept. 1, 1998

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As an author’s note explains, in the first half of the 19th century, settlers began to move into the land beyond Pennsylvania, into Ohio, and found a place of enormous, ancient trees. The insouciant voice of a young boy tells how his father, armed only with an axe, carves out a place for them. The narrator and his brother (“me and Willy”) are old enough to help in some of the work; the boy—in the way of older brothers’sees “the little ones,” his sisters and the baby, almost as an undifferentiated group. The amount of labor it taked to fell enough trees for a cabin and to plant a field is astonishing, and even the smallest children work hard gathering nuts, moss, and clay, trying to keep forest visitors from eating crops, and locating a stash of honey. The illustrations amply portray the beauty of the land and the homespun environment: golden light breaking through the forest, gilding patched clothes and tea pots; glistening rivulets of honey on johnnycake. Thoughtful children will note that the native people have moved on, and that much of the huge old tree growth was simply burned. Engaging, entertaining, unsentimental. (Picture book. 4-8)

Pub Date: Sept. 1, 1998

ISBN: 0-8037-2178-1

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1998

Categories:

CHILDREN'S HISTORICAL FICTION

- BOOK REVIEW
THE MISSING PIECES OF ME
by Jean Van Leeuwen

- BOOK REVIEW
PAPA AND THE PIONEER QUILT
by Jean Van Leeuwen & illustrated by Rebecca Bond

- BOOK REVIEW
BENNY AND BEAUTIFUL BABY DELILAH
by Jean Van Leeuwen & illustrated by LeUyen Pham

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MORE THAN ANYTHING ELSE

by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995

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An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

Categories:

CHILDREN'S HISTORICAL FICTION

- BOOK REVIEW
SOME FRIEND
by Marie Bradby

- BOOK REVIEW
ONCE UPON A FARM
by Marie Bradby & illustrated by Ted Rand

- BOOK REVIEW
THE LONGEST WAIT
by Marie Bradby & illustrated by Peter Catalanotto

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PINK AND SAY

by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: Sept. 15, 1994

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A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)