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SORRY

Feuding over a trifle earns two brothers the lifelong sorrow of a severed relationship, a pathetic circumstance that Van Leeuwen manages to invest with a degree of censorious humor. Ebenezer and Obadiah live in the north country, where the winters are long and their farm is rocky. But they toil together, close as siblings can be, each assuming appropriate tasks: one cooks, the other milks the cow, one plays the fiddle, the other the mouth organ. Then one day Obadiah criticizes Ebenezer’s oatmeal. “Lumps,” he says. Ebenezer objects, whether because of “too much winter or too much pride” is not clear—but the bowl of oatmeal he dumps on Obadiah’s head is plain as day. Obadiah objects, and stops talking to Ebenezer. Same goes for Ebenezer. They go so far as to cut their home in half and tow their sides to opposing hilltops. And so it goes, for generation after generation, despite the many moments they dearly wish they could commune with one another—when they get married and when they have children and grandchildren. Alas, neither can ever summon the simple word that would do the trick. That is left to the great-grandchildren, one of whom—on Ebenezer’s side—wrongly gets accused of stealing apples by one from Obadiah’s side. Near to blows, Nathaniel thinks to utter “Sorry,” and a familial relationship is reborn. Van Leeuwen’s story has enough melancholy to make her point clear, while Sneed’s demonstrative, hammy watercolors maintain a steady pulse of wry comedy. His hillbillies are all bulgy noses and gawky limbs; the household details, countryside, and livestock as picturesque as they are parody. (Picture book. 4-8)

Pub Date: May 1, 2001

ISBN: 0-8037-2261-3

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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