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THE LIBRARIAN OF BASRA

A TRUE STORY FROM IRAQ

Living history is not always sweet, but Winter, who has made beauty from contemporary horror in September Roses (p. 815) does it anew. Alia Muhammad Baker was the chief librarian of the Central Library in Basra, Iraq, a meeting place for many and quite near one of Basra’s best restaurants. When war comes to Basra, Alia saves the books in the only way she can see: She takes thousands of them to her own home, to the homes of friends, and to the restaurant next door. Alia saved 70 percent of her collection before the library was firebombed and destroyed. Winter tells this story in simple, clear declarative sentences. Her beautiful acrylic-and-pen illustrations are filled with the rose and violet, blue and gold, russet and orange colors of the desert, and she uses pattern to great effect in the shelves and piles of books, in the dark array of planes and bombs over the city, and in the parti-colored headscarves and clothing of the people of Basra. Created with strength and courage, like Alia’s devotion to the books in her charge. (author’s note) (Picture book/nonfiction. 5-9)

Pub Date: Jan. 1, 2005

ISBN: 0-15-205445-6

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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ELEANOR

"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)

Pub Date: Oct. 1, 1996

ISBN: 0-670-86159-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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REACHING FOR THE MOON

In first-person voice, Aldrin highlights points from his childhood that led to his dream of being an astronaut and making the historic moon landing. Coincidental details like his mother’s maiden name, “Moon,” and his favorite movie hero, the “Lone Ranger,” suggest clues to his destiny. After West Point, he joined the Air Force because “he wanted to fly more than anything.” Minor’s usual beautiful and realistic illustrations effectively convey spatial perspectives and movement, adding depth to the narrative. However, the cover design and type layout are confusing, indicative of a biography instead of an autobiography—a brief intro could have clarified it. Aldrin’s message in an author’s note avows, “If you set your sights high, you may accomplish more than you ever dreamed.” Pair this with Don Brown’s One Giant Step for a child’s-eye view on space exploration. (Flight/space exploration chronology) (Picture book/biography. 6-9)

Pub Date: June 1, 2005

ISBN: 0-06-055445-2

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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