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Shanty Gold

A gripping but uneven story of a young woman obtaining her independence in a new land.

An Irish immigrant forges a new life in a turbulent time in Charters’ debut novel.

In 1849, 13-year-old Mary Boland is determined to fulfill the promise she made to her dying mother: leave the disease and despair of life in Ireland, locate her father in America, and give him the golden cross that Mary’s mother gave her. After Mary initially meets kind strangers who help her get to the coast, a devious Englishwoman tricks her onto The Pilgrim’s Dandy, a “coffin ship” aboard which half the passengers are expected to die on the trans-Atlantic trip. Onboard, the sailors brutally use and abuse Mary, her new friend Ceili, and the slave boy Kamua. Despite the atrocities they face on the voyage, Mary and Kam are able to start a new life in Boston, where Kam gets work as a deliveryboy and Mary begins working in an Irish pub (Ceili isn’t so lucky). In time, they become a traveling medicine man and a midwife, respectively. As Mary tries to learn her father’s fate and sort out her feelings for the handsome Daniel Kelly, she begins having run-ins with the dangerous and lecherous Shiv McGraw, a gangster with an iron grip on South Boston. Mary must evade Shiv’s clutches, discover the secrets of her Irish family, and protect the lives of her new Boston family as she tries to establish her new life. Charters interweaves many important topics—immigration, civil rights, women’s rights—into her exciting novel. The narrative paints an evocative portrait of South Boston in the era of Irish immigration, and the supporting characters are particularly well-represented. However, the novel struggles to find a consistent tone as it switches from scenes of rape to childish friendship to slapstick pranks without the scene-setting and worldbuilding that would make such drastic shifts make sense.

A gripping but uneven story of a young woman obtaining her independence in a new land.

Pub Date: Aug. 1, 2015

ISBN: 978-1-62420-176-9

Page Count: 330

Publisher: Rogue Phoenix Press

Review Posted Online: Aug. 31, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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