THE GLASS PYRAMID

A tour through the process, pitfalls, and ultimately successful 1989 debut of I.M. Pei’s redesign of the Louvre.

Chosen by France’s president for the project, the Chinese American architect initially keeps his commission secret, worried that the French will block the involvement of an outsider. Pei visits the Louvre repeatedly, noting drawbacks that visitors to the museum and staff alike encounter and pondering solutions. He studies Versailles’ gardens, focusing on their geometric forms, light, and water features. Harvey acknowledges Pei’s Chinese influences, highlighting childhood visits to Buddhist mountain retreats and his family’s ancestral garden in Suzhou. The French public’s initial resistance is overcome through Pei’s press interviews, an in-situ, life-size mock-up of the bold design, and the Paris mayor’s approval. The courtyard’s 71-foot-tall glass pyramid, whose clear panes allow views of the existing edifice, is a portal leading visitors logically to the museum’s three wings. Pei’s bold design embodies both his sensitive approach to functional public spaces and his modernist vision. Harvey’s narrative features clear exposition, interspersing intriguing details about the discovery of an ancient subterranean castle and moat and the installation and cleaning of the pyramid’s 673 glass panes. Le’s illustrations deftly juxtapose old and new: childhood scenes in pre-urban China, Pei’s notably sleek buildings, and the contrast between the pyramid and the Louvre’s centuries-old facades.

A clear view into an extraordinary achievement from a legendary architect.