This gentle read-aloud looks forward to the time when the child will have a young one of her own.
The third of three owl chicks hesitates to fly, requiring much encouragement from its parents.
As they did in Don’t Let Go! (2003), veteran collaborators Willis and Ross here allude to both the terrors and rewards of a child’s first steps toward independence. The repetitive, alliterative poem and realistic pictures work together to tell the story. Ross' illustrations vary in size and placement on the white pages. Done with pastels on a textured base, they show barn owls with endearing, heart-shaped faces. Father hunts and brings food; mother looks out from their woodland tree cavity. One especially sweet image has both parents looking on as lovingly as owls can look as the last chick hatches from its egg. Later, readers see the first two chicks flapping, flipping, flopping and flying. When the third chick worries she might be eaten by a crow or hit by a train, the color deepens: Against a deep red sky a looming steam engine threatens. The chick clings desperately to a tree branch; Father tries to pull her free. At last, she flies. But that’s not the end. “Snow came. Crow came. Spring came. / But what became of this last chick?”
This gentle read-aloud looks forward to the time when the child will have a young one of her own. (Picture book. 3-7)Pub Date: Sept. 1, 2012
ISBN: 978-1-4677-0314-7
Page Count: 32
Publisher: Andersen Press USA
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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