ATTACHMENTS

In Arch’s thoughtful novel, the past comes back to haunt three prep school friends.

Stewart “Goody” Goodman, Sandy “Pick” Piccolo, and Laura Appleby were fast friends—and a love triangle—at Pocono Prep in the 1970s. Seconds before a stroke erases his consciousness, their mentor, Dean Henry Griffin, calls out for Pick and Goody, setting everything in motion. (And then there is the Griffins’ adopted son, Chip.) Pick is now a very successful attorney married to Laura. They lost a child, which put extra strain on their shaky marriage. Goody literally fled the school after discovering Pick and Laura in bed, wrote a blockbuster book about the three of them, and then disappeared again. Eventually Goody, now a Zen Buddhist priest, is tracked down. The whole cast is assembled, and it’s clear that this “reveal” is what Dean Griffin desperately wanted in that last moment of consciousness. (Pick’s precocious son says it’s like the last scene in an Agatha Christie novel.) We’ll have to stop here, because any more would spoil a really clever plot. This is Arch’s first novel in a long writing career that began with his breakthrough, the screenplay Sleepless in Seattle. The characters are wonderfully drawn. Henry Griffin is the wise father figure that any troubled teen would kill for. Pick is a take-no-prisoners litigator in lifelong rebellion against his mobster father. Goody is a saintly figure but unbelievably believable (you have to be there). How they sort out their relationships with one another after the big reveal is worth the price of admission. These are all good, if flawed and complex, people. The narrative is from several shifting points of view (Laura, Pick, Chip, etc.) and goes back and forth in time between the ’70s and the present—and Arch works it like a maestro.

Fine writing, memorable characters, depth of feeling, and gripping drama—a real keeper.