An entertaining, richly imagined action yarn with intellectual bite.
A paramilitary do-gooder defends a Texas town from corporate skulduggery in this rollicking adventure tale.
This is the second novel in Bond’s Third Chance Enterprises series about a trio of private-eye security specialists. It’s a solo outing for Durwood Oak Jones, an ex-Marine contractor and West Virginia sorghum farmer with a sideline in righting injustices for people who respond to his ads in Soldier of Fortune magazine. One such letter comes from Chickasaw, Texas’ Democratic mayor, Carol Bridges, who thinks the Hogan Consolidated factory, a mainstay of the local economy, is being forced by lawsuits into a buyout that will result in mass layoffs. Nosing around corporate paperwork and court filings isn’t a typical project for Durwood, who usually solves problems with his fists, an M9 semiautomatic, and his arthritic hound dog, Sue-Ann. But Carol, an attractive, redheaded Iraq War vet who can quote Scripture, appeals to him, and the apparent villains—a 28-year-old CEO and some lawyers—are so loathsome that he feels compelled to get involved. The case leads to violence that gets Durwood framed for murder after he uncovers evidence of double-dealing (and a bit of BDSM); the case later takes a swerve that makes him question everything he thought he knew about the case. Bond’s tale features his usual lean, laconic, and evocative prose and mixes vivid character development (“He fared poorly when talking just to talk. Every useless word felt like some tiny roofing nail you’d spilled and had to go hunting through the grass for”) with gripping procedural and fight scenes (“Durwood punched his spine again. Harder….Holcomb, on his knees, was sinking like a slab of butter left out overnight”). It also has unobtrusive political themes, as Durwood feels himself a defender of honest capitalism against those who decry it and the “Wall Street sharks” who parasitize it. Eventually, however, he finds himself second-guessing his own heartland ethos; at one point, he muses that “The story had looked simple, black lines on white paper,” causing him to nurse “his own righteousness like the worst men of the age.” The result is an energetic page-turner with intriguing social commentary.
An entertaining, richly imagined action yarn with intellectual bite.Pub Date: April 5, 2020
ISBN: 978-1-73225-529-6
Page Count: 190
Publisher: Self
Review Posted Online: Sept. 4, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.
Having been falsely convicted of murder himself years ago, prosecutor Rusty Sabich defies common wisdom in defending his romantic partner’s adopted son against the same accusation.
Now 76, Rusty has retired to the (fictitious) Skageon Region in the upper Midwest, far removed from Kindle County, Turow’s Chicago stand-in, where he was a star attorney and judge. Aaron Housley, a Black man raised in a bleached rural environment, has had his troubles, including serving four months for holding drugs purchased by Mae Potter, his erratic, on-and-off girlfriend. Now, after suddenly disappearing to parts unknown with her, he returns alone. When days go by without Mae’s reappearance, it is widely assumed that Aaron harmed her. Why else would he be in possession of her phone? Following the discovery of Mae’s strangled body and incriminating evidence that points to Aaron, Rusty steps in. Opposed in court by the uncontrollable, gloriously named prosecutor Hiram Jackdorp, he fears he’s in a lose-lose situation. If he fails to get Aaron off, which is highly possible, the boy’s mother, Bea, will never forgive him. If Rusty wins the case, the quietly detached Bea—who, like half the town, has secrets—will have trouble living with the unsparing methods Rusty uses to free Aaron. In attempting to match, or at least approach, the brilliance of his groundbreaking masterpiece Presumed Innocent (1987), Turow has his own odds to overcome. No minor achievement like a previous follow-up, Innocent (2010), the new novel is a powerful display of straightforward narrative, stuffed with compelling descriptions of people, places, and the legal process. No one stages courtroom scenes better than this celebrated Chicago attorney. But the book, whose overly long scenes add up to more than 500 pages, mostly lacks the gripping intensity and high moral drama to keep those pages turning. It’s an absorbing and entertaining read, but Turow’s fans have come to expect more than that.
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.Pub Date: Jan. 14, 2025
ISBN: 9781538706367
Page Count: 544
Publisher: Grand Central Publishing
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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