May lead readers to plenty of better introductions to Zen. You dig?
A rambling conversation on all things Zen between the mystic-minded movie star and his spiritual teacher.
As the title suggests, this book targets (and might most please) the ardent cult attracted to The Big Lebowski, the movie that gave Bridges (Pictures, 2006) his iconic role. He explains of the book’s genesis, “So…my friend Bernie Glassman says to me one day, ‘Did you know that the Dude in The Big Lebowski is considered by many Buddhists to be a Zen master?’ ” The two proceed to explore one of the movie’s signature lines, “The Dude abides,” from every possible perspective, punctuated by anecdotes from Bridges’ film career and personal life and spiritual sagacity from Glassman (Infinite Circle: Teachings in Zen, 2002, etc.). Perhaps the most revelatory is a close reading of “Row, Row, Row, Your Boat,” where even readers who have heard it thousands of times before will understand “gently,” “merrily” and “life is but a dream” with fresh ears. Some of the rest belabors the obvious, suffers from cliché and hippie vernacular, and even borders on self-parody. When Bridges talks about fan letters, most of which he doesn’t answer and then occasionally feels guilty, Glassman advises, “You need to befriend Jeff. It’s got nothing to do with the letters. You’ve got to befriend the fact that Jeff can only do so much….The Dude does not get angry with himself for all the things he’s not doing. He befriends the self.” Bridges makes it a point to distinguish himself from that role, though sometimes he wishes he could be more like the Dude. He writes things like, “Dig is beyond understand. I like digging where I am and what I’m doing, I like jamming with myself.”
May lead readers to plenty of better introductions to Zen. You dig?Pub Date: Jan. 8, 2013
ISBN: 978-0-399-16164-3
Page Count: 256
Publisher: Blue Rider Press
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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