A vivid chronicle of a rare culinary adventure.
A renowned chef reveals his appetite for risk—and edible insects.
In 2013, Copenhagen’s dining sensation, Noma, hit a serious snag: an outbreak of norovirus that threatened the restaurant’s future and the reputation of its world-famous chef, René Redzepi. When Esquire food and drinks editor Gordinier (X Saves the World: How Generation X Got the Shaft but Can Still Keep Everything from Sucking, 2008, etc.) met Redzepi in 2014, the chef felt burned out, looking for new inspirations and, as he wrote in his journal, “scared of losing the precious worldwide attention we’d stumbled into.” Eager to reinvent himself and invigorate his cooking, he decided to travel in search of new ideas, and he invited the author to come along to share in and write about the journey. At his own crossroads—depressed over his failing marriage—Gordinier saw Redzepi’s invitation as a gift, a recognition of his talent, and a chance to join the “fierce, focused crew” that made up the chef’s entourage. The search for flavor took the group to Sydney, arctic Norway, Copenhagen, and Mexico, where Redzepi planned a pop-up, Noma Mexico, to investigate “the complexity of Mexican cuisine,” flavors that long had haunted him. The author reports the chef’s ecstatic response to the lush abundance of the markets: tripe, blood sausage, bags of chicken hearts, wild cherries, prickly pears, avocado leaves that smelled like licorice, wondrous tropical fruits, and “galaxies of chiles, oceans of nuts, pyramids of palm sugar, lakes of tamarind paste.” “To watch Redzepi in a Mexican marketplace,” Gordinier writes, “…is like getting a contact high from somebody else’s peyote trip.” Redzepi’s “kinetic fixation on propelling himself forward” characterizes the author’s portrait of him: restless, “allergic to inertia,” easily bored. Whenever Redzepi discovered an unfamiliar ingredient, technique, or custom, he seemed energized by “an electric current.” Kelp, seawort, ant eggs, and grasshoppers are just a few of the ingredients he tried out, which for Redzepi “exemplify all meanings of the word ‘wild’ ”—“flavors and textures of the untamed.”
A vivid chronicle of a rare culinary adventure.Pub Date: July 9, 2019
ISBN: 978-1-5247-5964-3
Page Count: 288
Publisher: Tim Duggan Books/Crown
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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