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SHOW THEM YOU'RE GOOD

A PORTRAIT OF BOYS IN THE CITY OF ANGELS THE YEAR BEFORE COLLEGE

A unique slice of male high school life with strong crossover appeal for YA readers.

The ups and downs of male college-bound high school seniors during the 2016-2017 school year in Los Angeles.

In his first book, the much-praised The Short and Tragic Life of Robert Peace (2014), Hobbs, a Yale graduate, focused on a black male Yale graduate who was murdered after returning to his hometown of Newark. In the author’s second work of nonfiction, the clear hero is Carlos, an undocumented Mexican immigrant also headed to Yale. Here, however, the music is polyphonic: Hobbs follows nine young men of varied races and ethnicities—four main and five lesser figures—cutting back and forth among their splintered accounts of college applications, taking AP classes, playing video games, pursuing after-school activities, and despairing over the 2016 election. Two key players attended the Ánimo Pat Brown charter school: the academic star Carlos, who applied to both Ivy League colleges and for protection from deportation under the Deferred Action for Childhood Arrivals program; and Tio, a student leader rightly worried that his grades, though high, would not get him into top California colleges. The two other linchpins of the story attended Beverly Hills High School: Owen knew he was well off, but his mother was bedridden with a chronic illness; Sam’s mother, who was born in China, grilled him about school in ways he found “maddening.” At times, the author’s jump-cuts among the nine voices make it difficult to keep the teenagers straight, particularly the too-numerous secondary figures, and the story lacks the strong, cohesive narrative of his earlier work. Nonetheless, Hobbs offers a rare group portrait of well-rounded, hardworking male teenagers focused on college and securing a bright future. It’s sure to cheer school librarians looking for true stories of male high school students known for something besides their athletic talents or troubles with the law.

A unique slice of male high school life with strong crossover appeal for YA readers.

Pub Date: Aug. 18, 2020

ISBN: 978-1-9821-1633-0

Page Count: 336

Publisher: Scribner

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE MESSAGE

A revelatory meditation on shattering journeys.

Bearing witness to oppression.

Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”

A revelatory meditation on shattering journeys.

Pub Date: Oct. 1, 2024

ISBN: 9780593230381

Page Count: 176

Publisher: One World/Random House

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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