A loving critic hopes to resurrect the lost promises of the internet.
A nostalgic bid for a return to a more open, more diverse, and less commodified internet.
Jarvis—journalist, co-host of the This Week in Google podcast, author of The Gutenberg Parenthesis—believes that the internet, social media, and artificial intelligence are victims of a moral panic that seriously distorts their social and economic impacts. Attention-seeking politicians, dissenting technologists, academic doomsayers, and newspaper, magazine, and television pundits claim that these technologies are responsible for a variety of ills, from spreading hate and disinformation to corrupting youth and undermining economic competition. In its place, Jarvis offers what he deems a saner, more productive, and evidence-based assessment. Central to his case is that the internet, social media, and AI are mere tools, neither inherently dystopian nor utopian forces. Their problems are solely the responsibility of the humans who develop, manage, and use them. The technology, he asserts, is not complicit and not to blame. Because Jarvis considers the internet as primarily a culture of information and conversation, his main concern is with speech: how to ignore bad speech and encourage good speech. Regrettably, he writes little about how this might be done. His overall goal is to recapture the internet’s original intent of connecting people and giving voice to once-marginalized groups. To this end, he calls for restructuring the industry to be more “open and free,” demoting the geeks (he means you, Elon Musk), and finding ways to make the internet more local and community focused. These are not tasks he wants to give to government, however. Instead, Jarvis dreams of covenants in which we all “take on a sense of responsibility and obligation to one another.” Lacking a blueprint for making that happen, his well-intentioned book doesn’t seem to have much of a point.
A loving critic hopes to resurrect the lost promises of the internet.Pub Date: Oct. 8, 2024
ISBN: 9781541604124
Page Count: 272
Publisher: Basic Books
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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