Next book

THE WEB WE WEAVE

WHY WE MUST RECLAIM THE INTERNET FROM MOGULS, MISANTHROPES, AND MORAL PANIC

A loving critic hopes to resurrect the lost promises of the internet.

A nostalgic bid for a return to a more open, more diverse, and less commodified internet.

Jarvis—journalist, co-host of the This Week in Google podcast, author of The Gutenberg Parenthesis—believes that the internet, social media, and artificial intelligence are victims of a moral panic that seriously distorts their social and economic impacts. Attention-seeking politicians, dissenting technologists, academic doomsayers, and newspaper, magazine, and television pundits claim that these technologies are responsible for a variety of ills, from spreading hate and disinformation to corrupting youth and undermining economic competition. In its place, Jarvis offers what he deems a saner, more productive, and evidence-based assessment. Central to his case is that the internet, social media, and AI are mere tools, neither inherently dystopian nor utopian forces. Their problems are solely the responsibility of the humans who develop, manage, and use them. The technology, he asserts, is not complicit and not to blame. Because Jarvis considers the internet as primarily a culture of information and conversation, his main concern is with speech: how to ignore bad speech and encourage good speech. Regrettably, he writes little about how this might be done. His overall goal is to recapture the internet’s original intent of connecting people and giving voice to once-marginalized groups. To this end, he calls for restructuring the industry to be more “open and free,” demoting the geeks (he means you, Elon Musk), and finding ways to make the internet more local and community focused. These are not tasks he wants to give to government, however. Instead, Jarvis dreams of covenants in which we all “take on a sense of responsibility and obligation to one another.” Lacking a blueprint for making that happen, his well-intentioned book doesn’t seem to have much of a point.

A loving critic hopes to resurrect the lost promises of the internet.

Pub Date: Oct. 8, 2024

ISBN: 9781541604124

Page Count: 272

Publisher: Basic Books

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 108


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 108


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

Next book

ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Close Quickview