Every kid—and every parent—who’s ever suffered through a family road trip will feel as one with Greg.
You’d think that if anyone would know better, it would be Greg Heffley’s mother.
But no. When she reads an article in Family Frolic magazine about wholesome family road trips, she insists on taking one right now. What ensues is the kind of totally over-the-top mayhem that the Wimpy Kid’s fans have come to expect—and more. The family packs too much stuff to fit into the car, so they decide to tow Dad’s utterly unseaworthy boat as extra cargo space. Mom insists on educational enrichment (learn-to-speak-Spanish CDs, lame-o car games), “real food” (brown-bag “Mommy Meals” instead of fast food) and “authentic” fun (a country fair with no rides but a guess-the-pig’s-weight contest in which the prize is the pig; baby Manny wins). They spend the night in the absolute quintessence of a cruddy motel. Two slapstick driving sequences are both Hollywood-ready and extremely funny, especially in Kinney’s accompanying cartoons; Greg’s free-associative riff on humorless do-gooders who seek to censor such potty-humor classics as a wink-and-a-nod–disguised Captain Underpants will find an appreciative audience. By taking the Heffleys on the road, Kinney both gives himself an almost universally familiar experience to lampoon and places Greg in the rather unusual position of being almost entirely justified in his misanthropy, which is downright refreshing.
Every kid—and every parent—who’s ever suffered through a family road trip will feel as one with Greg. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 4, 2014
ISBN: 978-1-4197-1189-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 5, 2014
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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