It’s time for the Wimpy Kid machine to grind to a halt
Greg Heffley, that most profoundly unlikable of antiheroes, is back with another litany of complaints.
The book opens with a lengthy lampoon of the efforts of overeager parents to produce genius children (completely fruitless, as Greg’s post-utero experience clearly demonstrates) and ends with an enormously unpleasant Valentine’s Day dance. In between, Greg schemes for the upper hand, as always. The recession brings a cautionary example to the household in the person of his loser uncle Gary, who crashes on the couch while recouping losses from the purchase of cartons of misspelled souvenir “Botson” T-shirts. Oh, the irony: Though Greg recognizes his uncle as a creepy jerk, he does not see in Gary his inevitable future self. Will readers? Seven books into the series, one would expect to see some growth in Greg’s character, but no. He's as self-serving and manipulative as ever, possibly even more so, and by this point, there are few laughs left to mine. One’s left wondering, what is the enduring appeal? Given that Kinney’s oeuvre has spawned an entire subgenre (though he did not originate it—Marissa Moss' Amelia’s Notebook and its sequels combined faux-handwritten journals with drawings beginning in 1995), it's mystifying that kids are not flocking to the many alternatives now available.
It’s time for the Wimpy Kid machine to grind to a halt . (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 13, 2012
ISBN: 978-1-4197-0584-7
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 16, 2012
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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