THREE-EDGED SWORD

The stakes continue to rise in master thief Riley Wolfe’s third go-big-or-go-bust adventure.

The Russians, as is their wont, have developed a fearless new weapons system, and American operative Chase Prescott has flipped GRU agent Ivo Balodis to secure its particulars. Instead, Balodis has kept the thumb drive containing the necessary information to himself and retreated to his Fortress of Solitude, a private island off the coast of his native Lithuania. Will Riley help Prescott steal the thumb drive from its impregnable hiding place out of patriotism? No thanks. How about the chance to help himself to Ivo’s collection of priceless 17th-century icons painted by Simon Ushakov? Ah, that’s more like it—and Riley, after giving Prescott the slip because he likes working on his own, comes up with the idea of introducing himself, in suitably heavy disguise, to his target by stealing another Ushakov icon and offering it to him at a bargain-basement price. Prescott, who’s rightly less than convinced that he can trust Riley, thinks he’s sealing his allegiance by kidnapping Riley’s mother, who’s been in a coma for years, and his art-forger friend Monique, who’s just emerged from a coma after her ordeal in Fool Me Twice (2020), and holding them hostage. But of course what he’s really doing is antagonizing his would-be tool, and you definitely don’t want to antagonize Riley. Lindsay supplies an effortless, weightless supply of complications apparently designed to keep the overscaled enterprise, which has a lot more than three edges, from shutting down too soon. The result is a perfect beach read for anyone bound for the islands of Lithuania.

The name is Wolfe, Riley Wolfe, and his latest caper will leave fans stirred but not shaken.