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THE WALL

Heart-stopping vertical adventure relieved from time to time by old-guy angst.

What was to be a glorious final climb to the top of El Capitan by two longtime friends becomes a death-plagued nightmare.

With his first-hand experience as a climber, Long (The Reckoning, 2004, etc.) is able to take readers places they might never have thought to go and make them, if not exactly enjoy the experience, at least feel fairly brave for having gone. The protagonists of his latest novel are veteran climbers Hugh Glass and his buddy Lewis, who first made the 3,000-foot vertical climb to “El Cap,” the largest rock face in the U.S., 35 years ago. Accompanied by the women they would marry, the friends went on to conquer many other heights before their careers separated them. The adventure starts ominously when Hugh, out for a pre-climb hike at the base of the cliff, barely dodges a falling body. The body belongs to a member of a three-woman team that had been taking a new route to the top. Before Hugh can notify the authorities, he has a spooky encounter with Joshua, a madman living on the land, who makes off with the corpse as soon as Hugh leaves. It’s downhill (figuratively) from there. Over pre-climb drinks, Hugh, whose beloved but demented wife disappeared in the Arabian Desert, learns that Lewis’s marriage has fallen apart and meets Augustine, an intense search-and-rescue expert who tells the climbers that he will be heading up on the same route at the same time to rescue his girlfriend. Disregarding all gloomy warnings, Hugh and Lewis launch an assault on El Capitan that will be distinguished by hideous weather, a forest fire and disastrous encounters with Augustine and the remnants of the female team.

Heart-stopping vertical adventure relieved from time to time by old-guy angst.

Pub Date: Jan. 3, 2006

ISBN: 0-7432-6616-1

Page Count: 304

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2005

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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