An entertaining, sometimes lurid tale of creativity and corruption hampered by an unconvincing love story.
A young musician finds interracial, gender-bending love and gangland trouble in the Windy City in this Jazz Age gay romance.
This second installment of Stookey’s Medicine for the Blues Trilogy takes piano player Jimmy Harper and his band, the Diggs Munro Jazz Orchestra, away from sedate Portland, Oregon, to Chicago, the epicenter of jazz in 1923. There, Jimmy plunges into a throbbing demimonde of illicit sex, illegal booze, and disreputable music. He visits a whorehouse and, after a liaison with a woman to prove his manhood to his band mates, observes a kinky threesome involving two male sex workers and Danny Felton, a louche but menacing bootlegger who takes a shine to him. Jimmy gravitates to Pluto’s Lair, Danny’s speak-easy, where he beholds Erica DeChez, a mesmerizing drag chanteuse who cleans up to become handsome Black jazz pianist Eric Halsey. Eric teaches Jimmy how to play jazz right; shows him Chicago’s South Side clubs and blues parties; and switches between male and female personas to introduce him to both sides of anal sex. They fall rapturously in love and dream of running off to Paris together. Alas, Chicago turns dark for them. Jimmy quits the band when Diggs refuses to play the edgy, hot jazz the pianist loves, which is too Black for well-paying White venues. Danny offers Jimmy a job playing at Pluto’s, but at a price: an assaultive sexual tryst that leaves him bleeding and woozy from a heroin injection the bootlegger forced him to take at gunpoint. Finally, Jimmy learns that Eric is involved in a plot to oust Danny from Pluto’s and take it over with the help of Irish gangsters, a scheme that threatens to end in a tommy-guns-blazing showdown.
Following up on Acquaintance (2017), Stookey presents another panorama of gay life in the ’20s, full of vivid details and lively prose. He’s proficient at piquant feminine voices, whether hard-bitten (“ ‘It’s okay,’ she laughed her peculiar hollow laugh. ‘If you can’t trust a whore, who can you trust?’ ”), vengeful (“Where is that no good, two-timin’, yellow-bellied dog?”), or catty (“Sister Erica, have you been sucking on this sweet youngster?” “Now, talk nice, Anabella, or I’ll scratch your eyes out”). Through Jimmy’s ears, the author ably conveys the thrilling, haunting sound of Chicago’s jazz efflorescence, from jaunty swing—“Everything was feeling and intuition and pulsating, rhythmic drive…a looseness that allowed growing and slackening tempos, improvisations, creative surprise and freshness”—to searing blues. (“It seemed that all hell had broken loose—a petrifying terror, a desolate loneliness…with all his rough-hewn style, with all the gravel and whiskey in his voice, Grandy’s tenor fell on Jimmy’s ear with a melodious rightness, and his facility with the guitar, slurring the notes to match the human voice, all fit together.”) There are vibrant characters here and a creepily charismatic villain in Danny, but, as in Acquaintance, the romantic protagonists are kind of dull. Jimmy is a naïf—“Why must there be this animosity between the races?”—and Eric is a paragon of sexual enlightenment. Their glossy couplings (“Soon the surging reached its climax and the rising tide of their passion washed up pearls of sea foam”) feel off-key in a cynical city.
An entertaining, sometimes lurid tale of creativity and corruption hampered by an unconvincing love story.Pub Date: Sept. 21, 2018
ISBN: 978-1-73260-361-5
Page Count: 288
Publisher: Pictograph Publishing
Review Posted Online: March 11, 2021
Kirkus Reviews Issue: April 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A bumpkin duke and a young woman belatedly acquiring a gentlewoman’s education make for an entertaining love story.
When a Regency duke would rather feed blancmange to his prize pig than pay court to prospective brides, it’s fortunate that the girl next door also likes pigs.
Anthony Farr, Duke of Radcliffe survived an unhappy first marriage and is deathly afraid of marrying again. He would rather spend his days pottering about on his farm and skipping stones on the lake with his 8-year-old son, Wakefield. But when a poor relation of the Penhallow family arrives in the neighborhood, she quickly becomes friends with both Anthony and Wakefield. Where Anthony is simple and even childlike, Jane Kent is just uneducated and still suffering from the traumas of spending her early life in poverty. In their first encounter, afternoon tea in the company of Jane’s relatives turns into a fierce competition. Jane and Anthony are both determined to devour more food than the other—all while maintaining a polite facade. It’s the first of many deftly funny scenes in the novel, although some of the jokes become a little repetitive, such as Wakefield’s frequent mispronunciations of long words. The dialogue, too, is both funny and a little tiresome, with long conversations that don’t significantly advance the plot. But the book has other strengths that set it apart from typical Regency romances. It’s body-positive. There are several scenes where Jane, Anthony, and Wakefield demolish decadent food. There’s also a little light sadomasochism, which feels surprising since the main characters are otherwise so childlike. And it's a nice portrait of what courtship is like for a dedicated single parent. The child and his needs are central to the love story.
A bumpkin duke and a young woman belatedly acquiring a gentlewoman’s education make for an entertaining love story.Pub Date: Jan. 12, 2021
ISBN: 978-0-06-285237-3
Page Count: 432
Publisher: Avon/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A promising return from a beloved historical romance author.
A seemingly strict nobleman submits to an unusual woman.
When they first meet in the Duke of Windemere’s library, Julian and Elspeth are both snooping. Lady Elspeth de Moray is desperate to find a long-lost book with the potential to save the Wise Women, an ancient secret society to which she’s devoted. For his part, Julian Greycourt is in his uncle’s library hoping to meet a housemaid with something to tell him that he hopes may protect his sisters from the duke’s cruel behavior. When they hear the duke approaching, they flee to the library’s upper level and hide in a corner—with Elspeth crouching between Julian’s legs. It isn’t until shortly afterwards, when the two are properly introduced at the duchess’ tea party, that they realize they should hate each other, since Elspeth’s brother is rumored to have been involved in the mysterious death of Julian’s sister. But it’s too late for that; their close connection in the library leaves both excited to see each other again. This attraction explodes into an affair when it becomes clear that the inexperienced Elspeth isn’t scared off by Julian’s need to be ordered around in the bedroom, but their intimate connection vies with the desperate need they both have to keep their secrets and care for the people they love. As it’s been several years since the earlier titles in the Greycourt series were published—most recently, When a Rogue Meets His Match (2020)—a lot of exposition is needed to illuminate the connections among characters. Unfortunately, this overload of backstory combined with a complicated and uneven plot may leave readers feeling lost, especially if they’re starting with this volume. However, the chemistry between Julian and Elspeth is spicy and intriguing from the first pages, and the tender depiction of his desire to be submissive—and her willingness to learn to dominate him—provide a compelling reason for readers to stick with it.
A promising return from a beloved historical romance author.Pub Date: Dec. 10, 2024
ISBN: 9781538763582
Page Count: 352
Publisher: Forever
Review Posted Online: Oct. 11, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
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