An entertaining mystery romp.
Hard-boiled ex-cop Candace “CW” McCoy tries to keep her cool as she solves a case of embezzlement, kidnapping, and murder in the Florida heat.
Widmer (The Spirit of Swiftwater, 1998) makes his first foray into fiction with this introduction of CW McCoy. A former cop, CW—don’t call her Candy—left the force after a disastrous shooting gone awry and the end of her marriage. She moved to the beach town of Spanish Point, Florida, and has started a second career as a realtor. However, her attempts at a quieter life are shaken up by the appearance of Bobby Lee Darby, a fugitive hedge fund manager who has faked his own death after bilking his investors out of millions. Darby claims his innocence and asks CW to help him prove it, but when she balks, he kidnaps her ailing grandfather and forces her hand. Now, she must face her worst fears and dive back into the investigative business, relying on old friends to help her find her grandfather and solve the case as it grows more and more complicated—and deadly. Widmer has a great sense of place; he easily brings the town of Spanish Point and its colorful cast of characters to life. CW is a great character—a noir detective trying to outrun her own past, suffering no fools along the way. She also has a few potential love interests that pop up, men who truly seem to admire her impulsive toughness. Some of the dialogue is a little contrived, though, as CW says too many lines like “My Nana used to tell me I had a mouth” that seem straight out of a Bogart movie. Also, at the novel’s end, a few too many loose ends of CW’s personal story remain untied, though that leaves room for more volumes in the series. Hopefully there’s a bit more resolution in store.
An entertaining mystery romp.Pub Date: July 14, 2015
ISBN: 978-0-9964987-0-8
Page Count: 238
Publisher: Allusion Books
Review Posted Online: Sept. 9, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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