Fans of Deaver’s fiendishly clever suspensers (The Burning Wire, 2010, etc.) won’t be surprised by the nonstop deceptions,...
Deaver’s latest nail-biter features a blank-faced hero from a shadowy federal agency whose job is to protect menaced innocents from kidnappers and killers who don’t want them to be protected.
The bad news is that Henry Loving, the ruthless freelance “lifter” who specializes in using physical torture to extract information from targets who know too much, wasn’t killed in Rhode Island two years ago; he’s very much alive and headed for the home of D.C. Metro police detective Ryan Kessler. The good news is that Corte, the Strategic Protection Department officer assigned to protect Kessler and his family, now has a shot at revenge against Loving, who tortured and murdered his mentor Abe Fallow six years ago. Corte’s first attempt to protect his charges—Ryan Kessler, his daughter Amanda, his second wife Joanne and her flaky sister Maree—by moving them to a safe house is undermined by strong opinions from the Kesslers and the first of many attacks by Loving. Taking advantage of what he’s learned about the lifter from the attack, Corte, an obsessive game-player, shifts his strategy, trying to identify Loving’s client by figuring out what Kessler could know that would make him so dangerous. But Kessler insists that his current cases are routine, and all the while that Corte’s struggling to put the pieces together, Loving is learning more about his strategies and reactions. As each combatant seeks an edge over the other, the game between them becomes more and more wildly twisted, with so many embedded subplots, threats and distractions that you’ll welcome Corte’s canned profundity (“People will do anything to anybody—if the edge is right”) if only because it provides moments of relief from the otherwise breakneck action.
Fans of Deaver’s fiendishly clever suspensers (The Burning Wire, 2010, etc.) won’t be surprised by the nonstop deceptions, reversals, shocks and surprises, but this time they’re even more varied than usual, and, given the characters’ backgrounds, a lot more plausible. The result is his most successful thriller in years.Pub Date: Nov. 2, 2010
ISBN: 978-1-4391-5635-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Sept. 8, 2010
Kirkus Reviews Issue: Oct. 1, 2010
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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