A magnum opus that celebrates the qualities of compassion, honor, and humanitarian virtue.
Miller (Behind the Lines, 2014, etc.) offers the second volume of a tour-de-force history detailing a little-known World War I humanitarian rescue mission, led by a future American president.
During the early years of the First World War, an amazing organization, the Commission for Relief in Belgium, gathered together a group of idealistic young Americans to keep the people in German-occupied Belgium from starving. Popular historian Miller continues detailing the history of this organization, which was formed and run by none other than Herbert Hoover, who left his own successful business and mining-engineering interests to lead it. He and his intrepid CRB delegates constantly struggled with German military and governmental authorities and with the Belgian relief agency Comité National, but they managed to manipulate, cajole, bluff, and fight their way to providing the most extensive food relief program in modern history. They did so by preserving their absolute political neutrality and winning the respect and support of even the German aggressors. To succeed, Hoover and his band knew they had to be on the right side of worldwide public opinion: “Hoover’s understanding of this concept, and of the way the world’s news media worked, would serve him and his cause extremely well from the very beginning.” Miller delivers compelling portraits of young idealists who interrupted their lives to serve the CRB for no pay. He engagingly parallels this tale with the story of La Libre Belgique, a scrappy underground newspaper that continually poked the Germans in the eye; he shows how even though the Germans jailed and executed Belgian patriots associated with the paper, nothing could stop it from getting published. Miller is an accomplished writer who never gets in the way of his intriguing story, eliminating tiresome footnotes and in-text citations that might have detracted from the gripping historical narrative.
A magnum opus that celebrates the qualities of compassion, honor, and humanitarian virtue.Pub Date: Nov. 11, 2018
ISBN: 978-0-9906893-8-6
Page Count: 726
Publisher: Milbrown Press
Review Posted Online: Sept. 7, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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