Read solely as fiction, this is an auspiciously clever and engaging series opener.
Two Neanderthal preteens weave a tale of everyday life to which even modern kids can relate.
Over 40,000 years ago, tucked into a cozy cave, siblings Lucy and Andy live with their light-skinned and hirsute tribe, made up of their family (mother Luba, father Charles, and baby brother Danny) and another (Daryl and his children, Margaret and Phil, both older than Lucy and Andy). As related in a series of interrelated (and often wittily titled vignettes), the tribe spends its days in quotidian Neanderthal occupations: hunting mammoths, cooking, caring for one another, and making clothes and tools. Brown ambitiously weaves fact into his fiction and ends each short episode with interesting commentary about Stone Age life from two anthropologist characters, a white woman and a black man. At times these facts seem at odds with the story; despite a page devoted to speculation about Neanderthal gender equity, for instance, Luba seems entirely focused on child care. Although Brown makes reference to reading "almost a hundred!” books as research, he offers his readers neither bibliography nor resources to follow up on ignited interest (other than an impressive list of museums to visit). Despite this quibble, Brown’s vivacious plotlines are laugh-out-loud funny, and in spite of the prehistoric setting, this comic charmer should readily appeal to young readers.
Read solely as fiction, this is an auspiciously clever and engaging series opener. (Graphic historical fiction. 7-12)Pub Date: Aug. 2, 2016
ISBN: 978-0-385-38835-1
Page Count: 224
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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