by Jeffrey C. Stewart ‧ RELEASE DATE: Feb. 1, 2018
A sweeping biography that gets deep into not just the man, but the movements he supported, resisted, and inspired.
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A magisterial biography of the 20th-century philosopher, curator, and prime mover of the Harlem Renaissance.
Alain Locke (1885-1954) is a critical—and complex—figure in any discussion of African-American intellectual history. In his youth, he was the quintessential black Victorian, impeccably dressed and mannered, as if comportment alone could conquer racism. That posturing made him blinkered at times; he tried to deny the prejudice he experienced as a Rhodes scholar and would later submit to a wealthy patron’s condescending celebration of black “primitivism” for the sake of financial support. But Locke also wrote forcefully about the value of black artists and advocated strongly for writers like Jean Toomer and Langston Hughes. He edited the landmark 1925 issue of Survey Graphic, which put Harlem on the map as black America’s artistic center, argued for black artists’ central place in American culture in his selections for the book The New Negro, and curated African art exhibits that persuasively fitted that work within modernism. Stewart (Black Studies/Univ. of California, Santa Barbara; Paul Robeson: Artist and Citizen, 1998, etc.) often frames his subject’s life as a series of one-on-one conflicts: with his mother, whose apron strings he found hard to untangle himself from; with more vocal black activists like W.E.B. Du Bois, who wanted more from a racial movement than Locke’s oft-aloof aestheticism; with institutions like Howard University, which had a hot-and-cold relationship with him; and with the lovers the closeted gay, peripatetic Locke endlessly pursued, not to mention writers like Hughes who rejected his advances. This hefty, deeply researched book is sometimes overwhelming in its detail about Locke—every letter he wrote seems to be quoted—but it brilliantly doubles as a history of the philosophical debates that girded black artistic triumphs early in the 20th century.
A sweeping biography that gets deep into not just the man, but the movements he supported, resisted, and inspired.Pub Date: Feb. 1, 2018
ISBN: 978-0-19-508957-8
Page Count: 962
Publisher: Oxford Univ.
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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