A harsh, impressive work.
A debut novel set in Kosovo in the 1990s, from seasoned war correspondent Fleishman.
Narrator Jay Morgan is a grizzled war reporter who in his career has seen enough violence—including the death of his photographer wife—to make him disillusioned and cynical. In Kosovo he becomes embroiled in the ferocity of ethnic hostilities (“Yugoslavia’s unfinished chapter”) between the Serbs and the Albanians. He links up with Alija, a beautiful young translator who’s looking for her brother Ardian, a university student who disappeared months before. One of the first images of the novel sets the grim tone: Jay and Alija checking mass graves to see whether Ardian is among the victims. Both of them move uneasily among the brutal and brutish Serbs, especially the MUP, the Serb interior police. The MUP control the checkpoints and inflict daily violence on the towns and villages. The rebels, in contrast, occupy the mountains and use guerrilla tactics to destroy Serb soldiers and Jeeps before melting back into their hiding place. Jay has heard rumors of a mysterious, charismatic Muslim leader now living among the rebels and training them in tactics that include suicide bombing—or glorious martyrdom, depending on whose side the description is emanating from. (The “promised virgins” of the title refers to the ultimate reward of those willing to sacrifice themselves.) After much searching, and with help from those sympathetic to the rebel cause, Jay succeeds in having a brief and enigmatic interview with the shadowy figure known as Abu Musab. Jay has found out—though he keeps his knowledge from Alija—that among those Abu Musab is training in suicide tactics is Ardian. Fleishman, who is currently serving as the Cairo bureau chief for the Los Angeles Times, writes in a telegraphic, staccato style, reminiscent of Hemingway and well suited to the stark realities he depicts.
A harsh, impressive work.Pub Date: Feb. 1, 2009
ISBN: 978-1-55970-897-5
Page Count: 264
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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