An often compelling spy tale with plenty of twists and turns.
In Levin’s thriller, a Soviet espionage project reemerges decades after the end of the Cold War.
In the 1970s, hundreds of highly trained operatives of the U.S.S.R. infiltrated the United States, posing as ordinary U.S. citizens and integrating themselves into American society. In 2011, Lisa Jones, a 28-year-old genetic researcher, receives a strange call, consisting of random Russian words spoken over the 18th-century musical arrangement “La Voltaire et La Franklein,” and goes into a trance. A week later, her 30-year-old boyfriend, Stephan Beck, who interprets intercepted Russian messages for the U.S. Army Intelligence and Security Command, translates one that’s partially concealed by a series of noises; he later discovers that the same sequence—hidden under “La Voltaire et La Franklein”—is on a recording he made at Lisa’s class reunion months before. It’s revealed that Lisa’s parents, Roxanne and Peter, were among the aforementioned Soviet agents, and that Lisa’s school was teaching more than the usual subjects. As Stephan tries to figure out what’s going on, Lisa continues to receive trance-inducing phone calls; soon, she is roped into a clandestine project with dangerous implications. Levin delivers an action-packed novel with a fresh, engaging plot and memorable characters; in some ways, it feels like a love letter to classic spy tales, such as Walter Wager’s Telefon (1975). The story unfolds through multiple perspectives, although all but one of them—Stephan’s—are written in the third person, which some readers may find distancing. Additionally, the narrative reveals some major plot points very early, including Lisa’s parents’ past and the truth about the school, which takes away much of the element of mystery. Still, it’s an entertaining read that explores rivalries, secrets, and vestiges of Cold War tension. There’s also some metafictional humor: “Turning back to the work waiting on her computer, she thought, ‘You know, I’d make a really excellent spy, just like in those old Cold War novels.’”
An often compelling spy tale with plenty of twists and turns.Pub Date: June 27, 2024
ISBN: 9781685134365
Page Count: 182
Publisher: Black Rose Writing
Review Posted Online: April 1, 2024
Kirkus Reviews Issue: June 1, 2024
Review Program: Kirkus Indie
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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