by Jeffrey Jay Levin ‧ RELEASE DATE: June 27, 2024
An often compelling spy tale with plenty of twists and turns.
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In Levin’s thriller, a Soviet espionage project reemerges decades after the end of the Cold War.
In the 1970s, hundreds of highly trained operatives of the U.S.S.R. infiltrated the United States, posing as ordinary U.S. citizens and integrating themselves into American society. In 2011, Lisa Jones, a 28-year-old genetic researcher, receives a strange call, consisting of random Russian words spoken over the 18th-century musical arrangement “La Voltaire et La Franklein,” and goes into a trance. A week later, her 30-year-old boyfriend, Stephan Beck, who interprets intercepted Russian messages for the U.S. Army Intelligence and Security Command, translates one that’s partially concealed by a series of noises; he later discovers that the same sequence—hidden under “La Voltaire et La Franklein”—is on a recording he made at Lisa’s class reunion months before. It’s revealed that Lisa’s parents, Roxanne and Peter, were among the aforementioned Soviet agents, and that Lisa’s school was teaching more than the usual subjects. As Stephan tries to figure out what’s going on, Lisa continues to receive trance-inducing phone calls; soon, she is roped into a clandestine project with dangerous implications. Levin delivers an action-packed novel with a fresh, engaging plot and memorable characters; in some ways, it feels like a love letter to classic spy tales, such as Walter Wager’s Telefon (1975). The story unfolds through multiple perspectives, although all but one of them—Stephan’s—are written in the third person, which some readers may find distancing. Additionally, the narrative reveals some major plot points very early, including Lisa’s parents’ past and the truth about the school, which takes away much of the element of mystery. Still, it’s an entertaining read that explores rivalries, secrets, and vestiges of Cold War tension. There’s also some metafictional humor: “Turning back to the work waiting on her computer, she thought, ‘You know, I’d make a really excellent spy, just like in those old Cold War novels.’”
An often compelling spy tale with plenty of twists and turns.Pub Date: June 27, 2024
ISBN: 9781685134365
Page Count: 182
Publisher: Black Rose Writing
Review Posted Online: April 1, 2024
Kirkus Reviews Issue: June 1, 2024
Review Program: Kirkus Indie
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by David Baldacci ‧ RELEASE DATE: April 14, 2026
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Anthony Horowitz ‧ RELEASE DATE: April 28, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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