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THE BLACK HOLE PASTRAMI

AND OTHER STORIES

Inventive and emotionally observant writing.

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Feingold’s collection of short stories approaches themes of childhood, illness, death, and remorse.

Sixteen tales are offered here, many of which examine family relations and Ukrainian Jewish heritage. The collection opens with the title story, which describes a vegetarian son venturing to a deli to buy his dying father a black pastrami on rye with extra mustard. The errand leads the man to reflect on his own life, marked by a stultifying sense of helplessness. “Here’s Looking at You, Syd,” one of the longer stories, is about a husband and wife who journey to Moscow to adopt a child but are confronted by a wall of Russian bureaucracy. Other stories examine coming of age; in “The Buzz Bomb,” a young boy takes playing war games too far and is met with disastrous consequences. Similarly in “The Wrong Napkin,” childish naïveté leads to an embarrassing misjudgment and a chat about the differences between men and women. In “Goth Girl,” a young aspiring writer falls for a darkly aloof poet. Stories such as “Avalanche” and “My Left Foot” celebrate familial relationships with pet dogs, whereas “America’s Test Chicken” is a tongue-in-cheek tale of the launch of “one of the hottest cooking shows on cable TV.” Things take a weirdly humorous twist in “Seventh Sense” when a dentist offers “tissue harvested from the departed” to address a patient’s gum complaint. The collection closes with “The Sugar Thief,” about an embarrassing auntie who steals sugar sachets from the diner.

Feingold’s stories are written in the first person and emotionally have the feel of autobiography. The release captured at the close of “The Black Hole Pastrami” is profoundly moving: “The black hole cracked open; light streamed out. For the first time, I forgave myself. For not saving them. For failing at the impossible.” The author is also expert at describing shifting personal perspectives; one regards the aunt who embarrasses her teenage nephew by stealing sugar differently when it’s explained that she lived through rationing during the Depression and World War II. Although Feingold’s stories can be darkly poignant, they can also make readers laugh out loud, as when the patient with the tissue graft in “Seventh Sense” announces: “I taste dead people.” The collected tales are also intriguing due to the echoes that link them. Further references to The Sixth Sense star Bruce Willis crop up in other stories, as do mentions of the black pastrami, making for delightful moments. Feingold has a pleasantly unconventional descriptive style, unusually capturing events such as sitting in the dentist’s chair: “my mouth as wide open as an angry hippopotamus, as he poked with cold pointy instruments….” However, descriptions of Russia in “Here’s Looking at You, Syd” rely on boring stereotypes, from a prosecutor that resembles Bond-movie spy Rosa Klebb to a “Beautiful Russian Doctor” suitable for “a scene in Doctor Zhivago.” Feingold clearly employs such characters for comic effect, but it results in an oversimplified portrait of Russian life. Still, this minor flaw detracts little from a textured, imaginative debut collection.

Inventive and emotionally observant writing.

Pub Date: July 1, 2023

ISBN: 9798388289186

Page Count: 102

Publisher: MFT Press

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: June 1, 2023

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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