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THE BLACK HOLE PASTRAMI

AND OTHER STORIES

Inventive and emotionally observant writing.

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Feingold’s collection of short stories approaches themes of childhood, illness, death, and remorse.

Sixteen tales are offered here, many of which examine family relations and Ukrainian Jewish heritage. The collection opens with the title story, which describes a vegetarian son venturing to a deli to buy his dying father a black pastrami on rye with extra mustard. The errand leads the man to reflect on his own life, marked by a stultifying sense of helplessness. “Here’s Looking at You, Syd,” one of the longer stories, is about a husband and wife who journey to Moscow to adopt a child but are confronted by a wall of Russian bureaucracy. Other stories examine coming of age; in “The Buzz Bomb,” a young boy takes playing war games too far and is met with disastrous consequences. Similarly in “The Wrong Napkin,” childish naïveté leads to an embarrassing misjudgment and a chat about the differences between men and women. In “Goth Girl,” a young aspiring writer falls for a darkly aloof poet. Stories such as “Avalanche” and “My Left Foot” celebrate familial relationships with pet dogs, whereas “America’s Test Chicken” is a tongue-in-cheek tale of the launch of “one of the hottest cooking shows on cable TV.” Things take a weirdly humorous twist in “Seventh Sense” when a dentist offers “tissue harvested from the departed” to address a patient’s gum complaint. The collection closes with “The Sugar Thief,” about an embarrassing auntie who steals sugar sachets from the diner.

Feingold’s stories are written in the first person and emotionally have the feel of autobiography. The release captured at the close of “The Black Hole Pastrami” is profoundly moving: “The black hole cracked open; light streamed out. For the first time, I forgave myself. For not saving them. For failing at the impossible.” The author is also expert at describing shifting personal perspectives; one regards the aunt who embarrasses her teenage nephew by stealing sugar differently when it’s explained that she lived through rationing during the Depression and World War II. Although Feingold’s stories can be darkly poignant, they can also make readers laugh out loud, as when the patient with the tissue graft in “Seventh Sense” announces: “I taste dead people.” The collected tales are also intriguing due to the echoes that link them. Further references to The Sixth Sense star Bruce Willis crop up in other stories, as do mentions of the black pastrami, making for delightful moments. Feingold has a pleasantly unconventional descriptive style, unusually capturing events such as sitting in the dentist’s chair: “my mouth as wide open as an angry hippopotamus, as he poked with cold pointy instruments….” However, descriptions of Russia in “Here’s Looking at You, Syd” rely on boring stereotypes, from a prosecutor that resembles Bond-movie spy Rosa Klebb to a “Beautiful Russian Doctor” suitable for “a scene in Doctor Zhivago.” Feingold clearly employs such characters for comic effect, but it results in an oversimplified portrait of Russian life. Still, this minor flaw detracts little from a textured, imaginative debut collection.

Inventive and emotionally observant writing.

Pub Date: July 1, 2023

ISBN: 9798388289186

Page Count: 102

Publisher: MFT Press

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: June 1, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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