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THE GENIUS AND THE GODDESS

ARTHUR MILLER AND MARILYN MONROE

Not much new in this rehearsal of one of celebrity’s saddest stories.

A thoroughly researched but ill-balanced retelling of the brief love affair, marriage, creative collaboration, estrangement and divorce of Hollywood’s sexiest star and Broadway’s leading playwright.

Prolific biographer Meyers (Samuel Johnson: The Struggle, 2008, etc.) is particularly well equipped for the task of gleaning something new from this heavily harvested field. However, like many others who have drifted into the gravitational pull of planet Monroe, he can barely force his eyes away from her long enough to give Miller’s story more than a perfunctory summary and analysis. Describing her nude calendar from 1950, for example, he pants about Monroe’s “perfect body,” calling her “a modern Venus” in a torrid paragraph smoking with erotic detail (“Her alluring breasts promise pneumatic bliss, and her pink nipples merge with the red velvet”). Meyers begins his chronicle in 1951 with the initial meeting of his two principals, then retreats into alternating biographies, devoting nearly 80 pages to Monroe’s well-known depressing childhood and youth. Miller’s 36 pre-Monroe years merit only ten pages. The author revisits all of the central Marilyn moments: multiple foster homes, abuse, character flaws (habitual tardiness, deep insecurity), substance issues (alcohol, drugs), serial sexual escapades, notable marriages (to Joe DiMaggio and Miller) and most controversial affairs (JFK, RFK). Meyers dismisses as “wildly implausible” the conspiracy theories about her death and repeatedly assails both her acting coach Paula Strasberg and her final psychiatrist, Dr. Ralph Greenson, who was “more disturbed and dangerous than the patient.” Meyers recognizes that Miller truly loved Monroe but finally ended the marriage when he realized she was destroying him. He’d spent three years working on a film for her (The Misfits), earning only her scorn, and her needs were too complex and her problems too intractable. In the final chapter, Meyers thoughtfully mines Miller’s last plays for nuggets about Monroe.

Not much new in this rehearsal of one of celebrity’s saddest stories.

Pub Date: March 1, 2010

ISBN: 978-0-252-03544-9

Page Count: 384

Publisher: Univ. of Illinois

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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