by Jeffrey Moussaieff Masson ‧ RELEASE DATE: Sept. 1, 1997
Masson may be an anecdotist, but he is also a graceful, powerful, informed writer. He knows how to keep our cogs turning.
Riding the wave generated by his bestselling When Elephants Weep (1995), Masson offers further clever musings on the emotional lives of animals, concentrating on that most fervent practitioner of interspecies devotion, Rover.
Again, as in his earlier book, Masson serves a bounty of curious animal stories designed to at least hint at a complex inner life, full of deep feelings, in dogs. He doesn't claim to be following any particular scientific method. In fact, one of the best parts of this book is a canny dissection of anthropomorphism: when it is egregiously applied and clouds our understanding; when it serves as a scientific gag order, a closing of the mind. And he reminds the reader more often than necessary that his suppostions are a far cry from proof. He is just following his instincts, backing them up when he can from the formidable amount of research done on animal behavior. What this boils down to is Masson the storyteller, reeling off tale after tale of dog behavior that cries out to be considered on the emotional level. Many of the stories are of the winning, feel-good variety, of forgiveness and courage and loyalty (including one in which a trained police dog disobeys an apparently unjust order to attack), of their bottomless capacity for love and fun. There are darker stories, too—fashioned to raise our ire—of dogs' humiliation and abuse and abandonment at the hands of humans. But Masson can be irritating, tendering opinions as facts: "No other animal (wild, tame, or domesticated) carries such meaning for humans as the dog,'' and "Dogs do not lie to you about how they feel,'' as if he knows that dogs are incapable of a put-on.
Masson may be an anecdotist, but he is also a graceful, powerful, informed writer. He knows how to keep our cogs turning.Pub Date: Sept. 1, 1997
ISBN: 0-609-60057-5
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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