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SLIPPING INTO PARADISE

WHY I LIVE IN NEW ZEALAND

A blissful travel book transfixed on a specially favored geography, and an intriguing chapter in the author’s ongoing...

Masson, seeker of animal wisdom and human truth (The Nine Emotional Lives of Cats, 2002, etc.), pens a love letter to New Zealand.

Apparently it’s a lot more than Canada in a better location or the place Peter Jackson shot Lord of the Rings. According to the author, this isolated land of do-it-yourselfers, home to four million unpretentious kiwis, is the last Eden, and Masson has found a home at last. He’s applied for citizenship in this antipodal paradise, where prehistoric rainforest primeval flourishes virtually outside his window. In the New Zealand woods, he rhapsodizes over the beautiful puriri, the mighty totara trees, and the friendly piwakqwaka, not to mention the moving call of the morepork. In addition to all the trees, birds, flora, and fauna, New Zealand boasts the natural phenomenon of Sir Edmund Hillary, whom our arborist-ornithologist-philosopher visits eagerly. Masson also salutes all things Maori, with perhaps a bit of equivocation regarding old reports of cannibalism. He provides a suggested itinerary (“follow the route to Titirangi”) to locate some of the pleasures of “Godzone Newzillan” (that’s God’s own New Zealand to you outlanders), from Hot Water Beach to the best falafel in the country. Another plus, declares the author: there are no public intellectuals in New Zealand. On the debit side, the suicide rate rivals Finland’s, people regularly spank their children, and the performing arts are a bit lacking—though Masson overlooks a national anthem that ranks as one of the world’s best. On a personal level, our far-from-shy scribe unabashedly honors his family and himself: in India, Masson recalls, “Pundits could not get enough of my questions and would speak with me in Sanskrit for as long as I could stay awake!”

A blissful travel book transfixed on a specially favored geography, and an intriguing chapter in the author’s ongoing personal history. (English/Maori glossaries; b&w photos, not seen)

Pub Date: Aug. 3, 2004

ISBN: 0-345-46614-4

Page Count: 288

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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