by Jeffrey Moussaieff Masson & Susan McCarthy ‧ RELEASE DATE: May 12, 1995
Who says that wolves show no compassion, that ants are clueless when it comes to rage, that crows don't enjoy a good wheeze—in short, that animals other than humans don't have emotions—demands Masson (My Father's Guru, 1992, etc.) in this entertaining, if undefinitive, collection of soulful animal tales. Who? Well, just about everybody who thinks the scientific method is the last word, or likes to adorn him/herself in furs, or feels the need to dominate—that's who. Controversial psychoanalyst Masson (and coauthor McCarthy, a science writer) doesn't buy their hot air for a moment: The jury's still out on this question, he says, and anybody who claims the last word is full of hokum. Turning from his study of the human psyche to the psyche of animals, Masson comes up with scores of episodes where animals appear to have displayed—through gesture, act, posture, or sound- -an emotional vocabulary, and a wide one at that. The greater part of this book is given over to examples of beastly sensibilities: the tender, protective, and tolerant love of many creatures for their children (``to let them chew on you...snatch your dinner...put up with their noise...you had better love them deeply''); mourning for a lost mate, evidenced by the likes of cows and dolphins; the melancholy of a subdued, whimpering, tearful chimp; the compassion of an elephant trying to aid a mired baby rhino, despite repeated rushes from the rhino's mother. And there are a hundred more examples. In the final instance, Masson admits that these anecdotes are no more proof of animals' emotional life than are those given to deny such emotions—neither rests on the hard bed of fact. But, he argues, aren't they enough to make us reconsider our lab-testing programs or the impulse to be draped in sable? Can a bear appreciate beauty? Maybe, maybe not, says Masson. But when he hears of one apparently meditating on a colorful sunset, he's ready to give the brute the benefit of the doubt. (First serial to Cosmopolitan and New Age Journal; Book-of-the- Month Club/Quality Paperback Book Club selections; author tour)
Pub Date: May 12, 1995
ISBN: 0-385-31425-6
Page Count: 320
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1995
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BOOK REVIEW
BOOK REVIEW
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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