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THE OATH

THE OBAMA WHITE HOUSE AND THE SUPREME COURT

Shrewd and elucidating.

A skillful probing of the often-discordant relationship between the president and the Supreme Court.

Having previously examined the intricate machinations of the Supreme Court, CNN and New Yorker legal analyst Toobin (The Nine: Inside the Secret World of the Supreme Court, 2008) again turns his scrupulous eye to the Court’s current and future impact on the Obama administration. The author lays the groundwork for his examination by citing Chief Justice John Roberts’ awkward 2009 fumbling of the presidential oath of office (later re-administered, to Obama’s annoyance) and proceeds to retrace Court history and the persistent political distance separating the presidential seat and the justices. Setting a congenial yet authoritative tone, Toobin notes that Obama and Roberts also share similarities as academic overachievers who attended Harvard Law School and officiated the student-produced Harvard Law Review. Their differences, writes the author, are rooted in the application of the Constitution: Obama believes in traditional values and stability, while Roberts is eager for the Supreme Court to usher in new changes and an evolving understanding of the Constitution’s core signification. Toobin deftly tracks Roberts’ political history and examines issues that best tested the Court’s decisiveness—e.g., abortion, gun control, radical protests and health care. A consummate profiler, Toobin nimbly features key Supreme Court justices Sonia Sotomayor, Ruth Bader Ginsburg, Anthony Kennedy, Samuel Alito, Elena Kagan and “intellectual pathbreaker” Clarence Thomas. Culled primarily from interviews with unnamed justices and their respective law clerks, Toobin offers a well-balanced, literate and interpretative survey of the multifaceted intercourse between the conservative Supreme Court and our liberal president.

Shrewd and elucidating.

Pub Date: Sept. 18, 2012

ISBN: 978-0-385-52720-0

Page Count: 336

Publisher: Doubleday

Review Posted Online: Aug. 21, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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