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SHTUM

Lester’s tendency toward preachy platitudes—“without loving myself, I cannot hope to love another”—undercuts the power of...

An issue-centered novel from former British journalist Lester showcases severe autism from the point of view of a devoted, deeply flawed father.

Ten-year-old Jonah cannot speak, is not toilet-trained, and has emotionally exhausted his parents: lawyer Emma, the primary breadwinner, and Ben, who supposedly manages his father’s Georg’s catering equipment business, although he spends much of his workday at the pub. In desperation, Emma and Ben apply to place Jonah in a residential school offering the care he needs. When the local school district, required to cover the extremely high tuition, cites Jonah’s “loving family” as a reason to reject his enrollment at the school (although American readers may be amazed at how much help the British government does offer), Emma suggests that she and Ben pretend to separate before appealing the ruling. Ben reluctantly agrees. He and Jonah move in with Georg, while Emma remains behind in their home. Though she has carefully organized a plan for Ben to follow in order to get Jonah transferred to the residential school, she becomes increasingly unavailable to talk to Ben or see Jonah and even advises Ben to borrow the money for legal costs from his father since she has tied up their funds in an investment. Ben and Georg, a gruff refugee from Hungary, have a difficult relationship. Ben’s mother left when he was 12, and Ben resents that his emotionally withholding father openly adores Jonah and tells him stories about his Jewish childhood in Hungary that he’s never shared with Ben himself. Then Georg is diagnosed with cancer. As Ben cares for both Jonah and Georg while carrying out Emma’s school-appeal blueprint, he must finally face the two long-avoided issues that have concerned his friends and Lester’s readers all along: Ben’s dependence on booze and his misreading of so much about his relationships with Emma and Georg.

Lester’s tendency toward preachy platitudes—“without loving myself, I cannot hope to love another”—undercuts the power of his heart-wrenching characters and plot.

Pub Date: May 9, 2017

ISBN: 978-1-4683-1472-4

Page Count: 320

Publisher: Overlook

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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