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BIG SWISS

Beagin establishes her place among artfully eccentric writers like Nell Zink, Elif Batuman, and Jennifer Egan.

The author of Pretend I’m Dead (2018) and Vacuum in the Dark (2019) returns with another wonderfully off-kilter protagonist.

Beagin loves weirdos—fully and unironically. Her first two novels starred Mona, a woman whose job cleaning houses affords her a fascinating window into her clients’ lives and an idiosyncratic education in human behavior. Beagin’s new main character is literally paid to eavesdrop on the therapy sessions of strangers. After quitting her job as a pharmacy tech and leaving her fiance, she moves from Los Angeles to Hudson, New York, and starts working as a transcriptionist for a sex therapist named Om. Her job is to listen to recordings and write down what she hears, but she quickly develops a parasocial relationship with Om’s clients—not that different from a listener’s relationship to a podcaster or, for that matter, Mona’s imagined relationship with Terry Gross of “Fresh Air.” But Greta’s feelings for the client she calls “Big Swiss” are unusually intense, and a chance meeting at the dog park with this well-known stranger—whose real name is Flavia—turns into an affair. This relationship is defined by its intensity and by the ticking time bombs buried within it. Greta gives Flavia a fake name when they meet, and she doesn’t tell Flavia that she knows her deepest secrets. Flavia is married, a fact that she doesn’t hide but which is, obviously, a complication. And both women are still learning how to deal with the central tragedies of their lives. Flavia endured a horrific assault that she insists is no big deal. Greta has repressed significant details from her mother’s suicide. Beagin seems to have a keen understanding of the myriad ways trauma manifests. This not only allows her to build damaged but resilient and fascinating characters, but it might also be why her books are filled with people who do bad—or extremely questionable—things without being bad guys. Beagin gives her characters choices and second chances, and the happiness she offers them begins with themselves.

Beagin establishes her place among artfully eccentric writers like Nell Zink, Elif Batuman, and Jennifer Egan.

Pub Date: Feb. 7, 2023

ISBN: 9781982153083

Page Count: 336

Publisher: Scribner

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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INTO THE UNCUT GRASS

A sweet bedtime story.

A boy and his stuffed bear head into the woods.

Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.

A sweet bedtime story.

Pub Date: Oct. 8, 2024

ISBN: 9780593729960

Page Count: 128

Publisher: One World/Random House

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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