A tender tale of love and traditions.
A young boy and his mom prepare to celebrate the harvest holiday of Sukkot.
“Do you know why we sit in the sukkah?” a mother asks her child. The boy states simply, “To remind us we are part of the Jewish people.” The mom and the boy, clutching his toy lion, head across the autumn-hued backyard to the tented sukkah, which has an open roof of woven branches and a string of overhead lights. As they hang decorations and fruit among the lights and settle in, the boy is full of questions. Can we turn on the lights? Can we read my bedtime story here? Of course they can, but Mom is reluctant to grant his request to sleep in the sukkah, offering several reasons against it. This wise child has answers for all her doubts, expressed in lovely, metaphorical language, including the charming title phrase, sure to appeal to little ones. Snuggles, giggles, and the promised story ensue, but the rain comes, causing tears and fears. Mom whispers of how the sukkah will protect them as it did the ancient Jews wandering in the desert. They recite the evening prayer together, the Sh’ma, and all is peaceful. Halpern mixes simple, descriptive syntax with striking imagery, providing young readers with a clear understanding of the characters’ loving relationship and their Jewish identity. Fedele presents the characters in large-scale close-ups with lush landscapes surrounding them and incorporates details not in the text that enlarge and enhance the tale. Both the mother and the boy are light-skinned and dark-haired. (This book was reviewed digitally.)
A tender tale of love and traditions. (about Sukkot) (Picture book/religion. 4-8)Pub Date: Aug. 1, 2022
ISBN: 978-1-72843-904-4
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
PERSPECTIVES
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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