Next book

TWISTED SISTERS

A meandering midsection—extended digressions on Godfather shtick, anyone?—may discourage some readers from persevering until...

A TV psychologist shrinks from facing her own sibling rivalry issues.

Reagan Bishop is the token talk therapist on the Chicago-based cable talk show I Need a Push. Along with a team of other mental health professionals, including Deva, a New-Age healer (she of the autocorrect malapropisms from Lancaster’s Here I Go Again, 2013), and Dr. Karen, a psychotropic pill peddler, Reagan is charged with “pushing” guests who have agreed to undergo televised treatment to overcome their compulsions, obsessions and phobias in full view of Oprah-contender Wendy Winsberg’s studio audience. Off screen, Reagan deals with her own far-less-tractable psychological challenges. Her parents favor her sisters Geri, an overweight hairdresser, and Mary Mac, mother of eight, vaunting their mundane achievements while ignoring Reagan’s Chicago Marathon time and Good Morning America appearances. After her ambition required her to dump her good-hearted surfer boyfriend, Boyd, the now 30-something Reagan has nothing on her romantic horizon except Sebastian, an equally driven professional who’s just not that into her. When Push is picked up by the networks, suddenly Reagan is faced with a career-ending quandary—the time she now has to achieve her mental makeovers is drastically reduced, thanks to her new budget-conscious boss, Kassel. After her attempt to deter a starlet from stalking a hip-hop superstar backfires catastrophically and hilariously, Reagan’s job is on the line. She enters into an unholy alliance with Deva, whose treatment protocols she has hitherto found as abhorrent as Dr. Karen’s drugs. Using charms and amulets, Reagan astral-projects herself into her TV patients’ bodies long enough to mime a cure for the cameras. But her family still seems determined to belittle her. Lancaster’s unerring ear for hipster parlance and passive-aggressive family snark is on full display—but it isn’t until Reagan risks her most daring body swap yet that the novel finds its narrative stride.

A meandering midsection—extended digressions on Godfather shtick, anyone?—may discourage some readers from persevering until the truly satisfying closing twist.

Pub Date: Feb. 4, 2014

ISBN: 978-0-451-23965-5

Page Count: 320

Publisher: New American Library

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

Categories:
Next book

THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 46


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 46


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview