A meandering midsection—extended digressions on Godfather shtick, anyone?—may discourage some readers from persevering until...
A TV psychologist shrinks from facing her own sibling rivalry issues.
Reagan Bishop is the token talk therapist on the Chicago-based cable talk show I Need a Push. Along with a team of other mental health professionals, including Deva, a New-Age healer (she of the autocorrect malapropisms from Lancaster’s Here I Go Again, 2013), and Dr. Karen, a psychotropic pill peddler, Reagan is charged with “pushing” guests who have agreed to undergo televised treatment to overcome their compulsions, obsessions and phobias in full view of Oprah-contender Wendy Winsberg’s studio audience. Off screen, Reagan deals with her own far-less-tractable psychological challenges. Her parents favor her sisters Geri, an overweight hairdresser, and Mary Mac, mother of eight, vaunting their mundane achievements while ignoring Reagan’s Chicago Marathon time and Good Morning America appearances. After her ambition required her to dump her good-hearted surfer boyfriend, Boyd, the now 30-something Reagan has nothing on her romantic horizon except Sebastian, an equally driven professional who’s just not that into her. When Push is picked up by the networks, suddenly Reagan is faced with a career-ending quandary—the time she now has to achieve her mental makeovers is drastically reduced, thanks to her new budget-conscious boss, Kassel. After her attempt to deter a starlet from stalking a hip-hop superstar backfires catastrophically and hilariously, Reagan’s job is on the line. She enters into an unholy alliance with Deva, whose treatment protocols she has hitherto found as abhorrent as Dr. Karen’s drugs. Using charms and amulets, Reagan astral-projects herself into her TV patients’ bodies long enough to mime a cure for the cameras. But her family still seems determined to belittle her. Lancaster’s unerring ear for hipster parlance and passive-aggressive family snark is on full display—but it isn’t until Reagan risks her most daring body swap yet that the novel finds its narrative stride.
A meandering midsection—extended digressions on Godfather shtick, anyone?—may discourage some readers from persevering until the truly satisfying closing twist.Pub Date: Feb. 4, 2014
ISBN: 978-0-451-23965-5
Page Count: 320
Publisher: New American Library
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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