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BEST. NIGHT. EVER.

A STORY TOLD FROM SEVEN POINTS OF VIEW

A fun, fresh take on a classic theme.

For one night Lynnfield Middle School hosts the biggest event in town, the seventh-grade dance.

The gym transforms into a thrilling stage for the members of all-girl band Heart Grenade. After winning the mall’s Battle of the Bands, Heart Grenade will be rocking live at the dance and on local TV. However, Latina lead singer Carmen’s cousin’s wedding is the same night. African-American backup singer Genevieve will take Carmen’s place, but she’s got butterflies building in her stomach. White drummer Tess is confident her night on stage will be perfect until drama erupts between her and her rival, Mariah, another white girl and would-be drummer. Mariah’s best friend, Ryan, had hoped he’d have a shot with her tonight but the Tess drama is a distraction. Shy, white Ellie is thrilled to attend the dance with her crush and even more grateful that her Korean-American stepsister, Seo-yeon (known as Ashlyn at school), will be babysitting for her. Ashlyn, though, couldn’t care less about babysitting. And Jade, likely white, can barely contain her nefarious glee. When Heart Grenade “totally robbed” her band at the mall contest, she decided that revenge was the only option. There’s no telling how this night will end with hearts, music, and friendship on the line. This eventful middle school dance is told from seven points of view by seven different writers. Under Malone’s editorship, they pull it off with seamless chemistry and strong character building.

A fun, fresh take on a classic theme. (Fiction. 9-13)

Pub Date: Aug. 15, 2017

ISBN: 978-1-4814-8660-6

Page Count: 352

Publisher: Aladdin

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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