Galvanizing appraisals of Black women’s enduring search for freedom.
The meaning of Black women’s transformational teachings.
Jackson, a political science professor and columnist for Teen Vogue, presents these 11 essays as “love letters” to influential Black women “who built our movements and taught us how to love ourselves whole.” The author links their personal history with a vital tradition of intellectualism and activism spanning nearly two centuries. Jackson considers celebrated figures such as Harriet Jacobs, Zora Neale Hurston, and Audre Lorde, but they also examine less well-known ones, including Fannie Lou Hamer, Shirley Chisholm, and members of the Combahee River Collective. In each case, Jackson explores the experiences and achievements of influential Black feminists as a means of charting historical continuities in an ongoing struggle for liberty and equality. The orienting insights provided by Black women’s storytelling is a consistent point of emphasis. As Jackson notes the impact of Toni Morrison’s writing on their own self-understanding, “There was a sense of inner knowing and outer recognition of being Black and of living Blackly without regard for a white world that would no doubt want to co-opt, water down, and erase our stories.” The author’s historical summaries provided are perceptive and engaging, as are the analyses of current battlegrounds over so-called “identity politics.” Jackson offers intriguing, if occasionally underdeveloped, commentary on the significance of intersectionality in understanding systemic oppression, the dynamics of respectability politics, and the dimensions of the prison industrial complex. Also suggestive is the author’s take on the motivations behind conservatives’ outrage over critical race theory and the stakes involved in debates over how American history is taught. Overall, this “intimate history” ably highlights the longstanding importance and contemporary relevance of Black feminism, as well as the challenges that remain in having its voices heard and acted upon properly.
Galvanizing appraisals of Black women’s enduring search for freedom.Pub Date: Jan. 23, 2024
ISBN: 9780593243336
Page Count: 368
Publisher: Random House
Review Posted Online: Sept. 19, 2023
Kirkus Reviews Issue: Oct. 15, 2023
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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