THE RED CAR TO HOLLYWOOD

After her relationship with a white boy is discovered, a spirited Chinese American teen tries to evade her father’s marriage ultimatum.

It’s the spring of 1924, and 16-year-old Ruby Chan is in trouble. News of her disastrous fling with Russell Blythe has reached her parents. Her father, who recently became the proprietor of an antiques store, is determined to prevent her from bringing more shame upon her family and their Los Angeles Chinatown community. To Ruby’s horror, Ba requests a San Francisco matchmaker’s services and announces that he’ll also be seeking a husband for Ruby during his upcoming trip to China; one way or another, her future will soon be decided. Unable to accept an arranged marriage and still working through everything that happened with Russell, Ruby takes steps to secure her independence, starting with a job at a department store. She also befriends 19-year-old Anna May Wong, the daughter of a local laundry store owner and a rising Hollywood actor whose daring, often villainous, film roles are dividing the Chinese American community. The story alternates between Ruby’s present and her memories of Russell, weaving together themes of Orientalism, sexism, and the tension between first- and second-generation immigrants’ approaches to assimilation. Despite some awkwardly expositional dialogue, Ruby’s determination and pride in her cultural heritage are easy to root for, and her narrative closes on a satisfying note.

Charming and informative.