by Jennifer Bowers Bahney ‧ RELEASE DATE: Nov. 7, 2017
A unique addition to World War II literature, loaded with details of clandestine European prewar political and financial...
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Bahney (Stealing Sisi’s Star, 2015) returns to the subject of the Austro-Hungarian Empire for this dual biography of Archduchess Marie Valerie, daughter of the Empress Elisabeth, and of Princess Stephanie, mistress of Marie Valerie’s husband.
In 1890, Marie Valerie “renounced her right to the Austro-Hungarian throne” to marry a man beneath her station, the man she loved, her cousin Archduke Franz Salvator. Twenty-four years later, Salvator’s philandering resulted in the elevation of a young woman from a middle-class Jewish family to the rank of princess. He had engaged in a passionate affair with Stephanie Richter, who had a penchant for powerful men, and the affair resulted in a pregnancy. To save his daughter the embarrassment of her husband’s scandalous behavior, the aging Emperor Franz Joseph arranged a hasty marriage for Stephanie to a lesser German prince. And so, Stephanie Richter became Princess Stephanie von Hohenlohe-Waldenburg-Schillingsfürst, wife of Friedrich Franz, giving her a title and entry to the highest levels of European society. Although Friedrich Franz divorced Stephanie in 1920—much to her delight—he let her retain the title of princess. In a bizarre historical twist, this title and her social connections enabled Stephanie to form a close friendship with Adolph Hitler. Bahney’s well-researched biography offers an engaging glimpse into the personal lives and political intrigues of the Austrian-Hungarian royals from the late 19th through the early 20th centuries. Although interesting, readers who aren’t avid fans of royalty will have difficulty keeping up with the vast cast of major and minor royal characters in the volume’s early sections. The bulk of the tale, however, belongs to Stephanie, who served as an effective propagandist for Hitler in the British press during the “appeasement” days before World War II. Bahney questions “how Stephanie Richter could deny her Jewish ancestry in order to voluntarily collude with Adolf Hitler.” The answer appears to be that Stephanie’s primary concerns in life were money, prestige, and powerful liaisons.
A unique addition to World War II literature, loaded with details of clandestine European prewar political and financial machinations about a decidedly unlikable, albeit savvy, historical figure.Pub Date: Nov. 7, 2017
ISBN: 978-1-4766-6872-7
Page Count: 230
Publisher: McFarland & Co.
Review Posted Online: March 6, 2018
Review Program: Kirkus Indie
HISTORY | MILITARY | WORLD | GENERAL HISTORY
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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