by Jennifer Bowers Bahney ‧ RELEASE DATE: June 3, 2015
It would be criminal for lovers of historical nonfiction to miss this story of theft, sadness, and obsession.
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Bahney (Longhairlovers: Healthy Hair Secrets Revealed, 2nd Ed., 2014, etc.) dissects the real-life theft of a spectacular jewel and the life of an Austrian empress.
The hair of Empress Elisabeth of Austria—known as “Sisi” (pronounced “Sissy”)—wasn’t quite as long as Rapunzel’s, but it did nearly reach to the floor and took an entire day to clean. As befitted a coiffure of that length and thickness, Sisi would occasionally adorn it with an accessory mounted with about 30 diamonds of various sizes and one large pearl. The result was a spectacular “glittering halo” effect that made her a sensation. (One element of the piece, the Kochert Diamond Pearl, was housed in Vienna’s Schönbrunn Palace museum until it was stolen in 1998.) Famous in her prime as one of the most beautiful women in the world, Sisi and her spectacular hair stars were immortalized in a painting that became popular in Europe. Bahney details her tragic life, telling of her sadness at being in the royal Austrian court, her apparent eating disorders, and her fanatical exercising so that she could maintain her “wasp waist.” The book also covers Gerald Blanchard, the master thief who stole the Kochert Diamond Pearl, and Bahney tells his story as fully as she does Sisi’s. The book provides a fascinating peek at 19th-century thinking, such as the widespread belief that if a pregnant woman looked at animals too long, her baby would likely be born looking like one. Bahney, a journalist, populates the book with engaging supporting characters, such as Sisi’s domineering mother-in-law, Archduchess Sophie, and her beleaguered husband, Emperor Franz Joseph. Ultimately, however, this is a book about robbery: both of a jewel and of a lonely young woman’s life.
It would be criminal for lovers of historical nonfiction to miss this story of theft, sadness, and obsession.Pub Date: June 3, 2015
ISBN: 978-0-7864-9722-5
Page Count: 212
Publisher: McFarland Press
Review Posted Online: Aug. 31, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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