A sweet exploration of the familial similarities that matter.
Dev, who was adopted, may not resemble his big sibling, but there’s plenty that the two do share.
As the older child, who narrates, waits in line for the ice cream truck, Dev joins his big sibling. “No cuts!” says another kid. “He’s my brother,” replies the protagonist, but the other kid looks skeptical. “We don’t share the same skin color, plus my hair is curly and his is not.” But, as the narrator informs readers, the two have many commonalities. Their parents eagerly awaited both children’s arrival; the accompanying illustrations depict them gazing at an ultrasound image of the unborn protagonist and at photos of Dev as a baby just before they traveled overseas to bring him home. Both took swim classes as babies, threw up on the rug after overeating on Valentine’s Day, and adore their trampoline. Without lingering on or dismissing how hurtful it can be to have adoptive relationships questioned, especially when one doesn’t look like one’s adoptive family, the story focuses on the siblings’ loving bond. AuYeung’s expressive illustrations cleverly work with the narrative to show how the children differ while highlighting how much they have in common. The children’s mother is brown-skinned, their father presents East Asian, the protagonist is biracial, and hints in the text and art suggest that Dev is of South Asian descent.
A sweet exploration of the familial similarities that matter. (Picture book. 3-7)Pub Date: Feb. 11, 2025
ISBN: 9781481417679
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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