TAKE

A rock-climbing adventure unearths an unexpected mystery.

The summer after high school graduation, Cara’s busy working three jobs to fund a gap year rock climbing in Patagonia. She’s independent and tough, not the least because she has to be—her dad, who taught her to climb, is unstable, mentally ill, and so unreliable he missed her graduation ceremony. Now, he’s not responding to messages. When Cara goes to check on him, she finds his climbing gear gone and one wall of his trailer papered over with maps, photographs, and sticky notes. To find him, she’ll need to figure out what it all means—and what peak he’s trying to climb. Interspersed with Cara’s first-person narrative are diary entries from the 1940s by a young, implied White climber in the Civilian Conservation Corps describing his growing romance with an artistic Japanese American farm girl. They are hampered by racism, particularly once America enters the war. Bradbury’s smart, fast-moving book immerses readers in the language, procedures, and emotions of rock climbing without overwhelming those unfamiliar with the sport. She lets her characters and their stories be complicated and multidimensional. Her description of Cara’s dad’s mental illness is particularly real: “Sometimes he was sort of medically allowed to be a selfish jerk. The tricky part was how the messiness made it really hard for everybody around him to know when to cut him some slack and when to just cut him off.”

Great holds, great movement, and a worthwhile finish.