Simple enough to be better aimed as a YA, though not without its historical charm and interest.
Quilting, the Underground Railroad, and the struggles of immigrants in Pennsylvania all find a place in this passable fourth in the Elm Creek Quilts series (The Cross-Country Quilters, 2001, etc.).
With young Sarah as assistant, Sylvia’s ancestral home of Elm Creek Manor has been successfully reinvented as a summer camp for quilters. While she’s lecturing down south, Sylvia is shown a quilt, now in the possession of a southern family, that makes obvious references to Elm Creek Manor and is ominously named the Runaway Quilt. Thus the mystery begins, with Sarah afraid that her ancestors may have been involved in slavery. Conveniently, the clues are housed right in the attic of Elm Creek Manor, where Sylvia finds three quilts and a memoir written by Gerda, the spinster sister of Sylvia’s relative Hans Bergstrom and his wife Anneke, mid–19th-century German immigrants. Comprised mostly of the memoir, the narrative stitches its way from Gerda’s compelling tales of the Bergstrom’s success in the New World to the contemporary mystery of the Runaway Quilt, whose provenance is revealed at the end (though apparent earlier). While Hans and Anneke build roots in their small Pennsylvania town, Hans eventually making a fortune in horse-breeding and Anneke as a skilled seamstress, Gerda becomes involved in the suffragette and abolitionist movements. By chance (Anneke accidentally copies a quilt pattern used as a signal to runaway slaves that they had reached a safehouse), a woman, pregnant and injured, shows up, paving the way for the Bergstrom home to become a stop on the Underground Railway. In spite of opposition—and perhaps treachery—from Anneke, she is given shelter until she delivers a son. The historical voice rings truer than the contemporary one, making the reader long for Gerda’s story, and hers alone.
Simple enough to be better aimed as a YA, though not without its historical charm and interest.Pub Date: April 4, 2002
ISBN: 0-7432-2226-1
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2002
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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