by Jennifer De Leon ‧ RELEASE DATE: March 1, 2014
The abundance of high-quality material makes the book hard to put down. While it focuses on Latina experiences, the...
This aptly named collection of essays lives up to its title, a reference to Supreme Court Justice Sonia Sotomayor’s quote that a “wise Latina woman, with the richness of her experiences, would more often than not reach a better conclusion than a white male who hasn’t lived that life.”
Don’t be put off by the subtitle, which suggests dry academic reading; these personal essays are full of learning and life. Contributors from different backgrounds and generations, including Sandra Cisneros, Ruth Behar, Joy Castro and Iris Gomez, preside over these pages with a wide range of concerns, including alienation, isolation and sexuality. In her introduction, essayist De Leon, a Boston schoolteacher, sets the tone with a tribute to her mother, a housekeeper from Guatemala who worked tirelessly to be sure her daughters went to college. Indeed, one of the common threads in the book is the idea of parental sacrifice for the betterment of children. The flip side can be a sense of loss and alienation that comes from opening up cultural gaps within families. In “Stories She Told Us,” Daisy Hernández tries to bridge the chasm between what she learns in the classroom and the hardships faced by her mother, who came to America from Colombia. She shares feminist ideas with her mother, thinking this knowledge will save her; eventually, however, she realizes, “[a]ll the things I’m trying to tell her, have been trying to teach her about, all these things that I needed words for, my mother already knows.” Julia Alvarez, whose family fled the Dominican Republic under political duress, writes of her early academic alienation in America, when what was taught and how she was supposed to learn did not include “my ways of perceiving and moving in the world.” In the wonderfully imaginative “WhiteGirlColorlessAfriPana,” Gail M. Dottin ponders identity in a funny/sad/philosophic dialogue with herself.
The abundance of high-quality material makes the book hard to put down. While it focuses on Latina experiences, the emotional truths these writers express have a broader resonance.Pub Date: March 1, 2014
ISBN: 978-0-8032-4593-8
Page Count: 240
Publisher: Univ. of Nebraska
Review Posted Online: Jan. 19, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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