An unlikable main character frustrates what could have been a romance for grown-up horse girls.
Opposites attract when a city girl inherits a horse farm—which also includes a gorgeous yet grumpy farrier.
Molly McDaniel is obsessed with weddings, and she’s always dreamed of starting her own wedding-planning company. Sadly, she’s drowning in student debt and nowhere close to launching a business while she works two part-time jobs, as a barista and at a call center. When an estranged aunt dies and leaves her a barn, Molly at first believes her bad luck has doubled, but quickly sees the silver lining. If she can sell the barn and land, then she might have enough money to pursue her goal. The ramshackle barn comes with more than just horses and hefty repair costs, though. There’s also Shani Thomas, a farrier who not only lives and works on the property, but also tended to Molly’s aunt during her years of declining health. The two immediately butt heads, as it seems that Molly is only there to destroy what Shani helped build. As more and more people pitch in to help Molly with the renovation, she begins to be swayed by the community the barn has brought together and her growing attraction to Shani. The biggest detriment to this trope-filled romance with its grumpy-meets-sunshine couple and fish-out-of-water-plot is the main character. Molly is frequently a poor communicator even though people’s livelihoods are on the line, and she often drops the ball in making Shani feel supported. For a good part of the book, Molly is selfish and short-sighted, assuming those around her will come to her aid at the drop of a hat, and it isn’t believable that she’d be able to run a successful small business. She’s a prime example of a partner and friend who takes way more than she gives.
An unlikable main character frustrates what could have been a romance for grown-up horse girls.Pub Date: May 28, 2024
ISBN: 9780063307513
Page Count: 352
Publisher: Avon/HarperCollins
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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