Intelligently chosen; essential for students and aspiring writers of fiction as a kind of state-of-the-art (or at least...
The latest installment in a venerable series whose origin stretches back a full century.
In her slender but charming introduction, guest editor and novelist Egan (A Visit from the Goon Squad, 2010, etc.) recalls that she’d been publishing short stories for 21 years “before I managed to eke one into these pages!” Never mind the misuse of “eke”; we know what she means, and the fact is that there’s a lottery aspect to the whole enterprise. It helps to have been published in the New Yorker, as several of these pieces have been; it helps to be Joyce Carol Oates, who appears here, of course, with a story that seems tossed off for her but that would be a major accomplishment for most other writers. Recognizing the “essential arbitrariness” of the honor, then, Egan moves on to select 20 stories that are perfectly exemplary, each in its way. T.C. Boyle does his existential ennui thing with a yarn (from the New Yorker, of course) that hinges on booze, satellites and rancor (“We’d been fighting all day, fighting to the point of exhaustion, and it infuriated me to think she wouldn’t even give me this”). Continuing the boozy theme—writers and their booze!—Ann Beattie serves up a lovely slice of melancholy with a story of a former student bantering with a dying professor (“Enabler? Don’t use phoney words like that”) while puzzling over why her ex-husband happens to be in the bar at the same time. All are serviceable, none bad, but few of the stories are true tours de force, with one notable exception being Lauren Groff’s “At the Round Earth’s Imagined Corners,” the key word being the penultimate one, and Laura van den Berg’s odd, pensive “Antarctica” and its utterly memorable closing line—fittingly, and artfully, the last in the collection.
Intelligently chosen; essential for students and aspiring writers of fiction as a kind of state-of-the-art (or at least state-of-the-trend) snapshot, with a few standouts.Pub Date: Oct. 7, 2014
ISBN: 978-0-547-86886-8
Page Count: 384
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Sept. 8, 2014
Kirkus Reviews Issue: Oct. 1, 2014
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
