by Jennifer Elvgren ; illustrated by Fabio Santomauro ‧ RELEASE DATE: Feb. 1, 2014
This uncomplicated narrative of Danish resistance will facilitate teaching and discussion of a difficult yet necessary...
Residents of a small town in Nazi-occupied Denmark work together to provide a hidden Jewish mother and son safe passage to neutral Sweden.
“New friends” are being harbored in Anett’s dark basement for two nights. Though afraid, she allows their whispering voices to lead her down the stairs. Anett brings food from her mother’s kitchen and books from the library until the boy and his mother can secretly board a fishing boat that will cross over to Sweden. Most of Anett’s daily encounters with neighbors and shopkeepers show that the townsfolk support Anett’s family in their dangerous effort. When the Nazis begin to search houses each night, the situation becomes even more perilous for Anett’s family, and her father determines that they must be taken to the harbor despite the obscuring clouds. Without moonlight, the Jews are beckoned from door to door, guided only by whispering voices—“This way”—that indicate the route to safety. The direct simplicity of the story’s telling serves well as an introduction for younger children to the Holocaust. Dark cartoon sketches reminiscent of Tomi Ungerer in opaque black, blues, grays and khaki green markers and word bubbles with the key words of direction paint the ominous atmosphere.
This uncomplicated narrative of Danish resistance will facilitate teaching and discussion of a difficult yet necessary subject. (author’s note) (Picture book. 5-8)Pub Date: Feb. 1, 2014
ISBN: 978-1-4677-1194-4
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Jennifer Elvgren ; illustrated by Daniela Stamatiadi
by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Gretchen Woelfle ; illustrated by Alix Delinois ‧ RELEASE DATE: Feb. 1, 2014
A life devoted to freedom and dignity, worthy of praise and remembrance.
With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.
In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.
A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)Pub Date: Feb. 1, 2014
ISBN: 978-0-7613-6589-1
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Oct. 8, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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by Gretchen Woelfle ; illustrated by John O'Brien
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by Gretchen Woelfle ; illustrated by Rebecca Gibbon
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by Gretchen Woelfle ; illustrated by R. Gregory Christie
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